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As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Desperate Strangers weaves together the lives of five people. Michael Ryan, a gulf war veteran and an attorney in a small Phoenix law firm is asked to represent a former client, Wayne Fuller who is charged with molesting his daughter. In researching his defense, he enlists the aid of a well known criminal attorney, Addam Stein. His paralegal is a beautiful young woman, Jennifer Spencer. She is married to a handsome young Hispanic, Tony Enriquez who is also the client of Addam Stein. Her life changes as she discovers that Tony is a known drug dealer with a sadistic nature. Tony is pressuring Addam to come up with $5 million dollars. He needs to convince Jennifer to seduce Mike into killing Tony. While preparing and trying this case, the web of seduction and murder takes form. The police are called to investigate and the murderer could be any number of suspects. A story of love, seduction and murder come crashing in on all of them.
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...
Trains, Culture and Mobility: Riding the Rails goes beyond textual representations of rail travel to engage an impressive range of political, sociological and urban theory. Taken together, these essays highlight the complexity of the modern experience of train mobility, and its salient relation to a number of cultural discourses. Incorporating traditionally marginal areas of cultural production such as graffiti, museums, architecture or even plunging into the social experience of travel inside the traincar itself, each essay constitutes an attempt to work from the act of riding the train toward questions of much larger significance. Crisscrossing cultures from the New World and Old, from East and West, these essays share a common preoccupation with the way in which trains and railway networks have mapped and re-mapped the contours of both cities and states in the modern period. Bringing together individual and large-scale social practices, this volume traces out the cultural implications of "Riding the Rails."
Utta Drivel is a comic novel that follows the lives of laid-back entrepreneur Wilfric and his two friends. Wilfric is 1600-odd years-old, which gives him a unique view of history. His get-togethers with walking disaster Boothroyd and eccentric patriot Utta Drivel always involve much laughter. Their lives cover a wide spectrum. From an Israeli landscape painter by the name of Mori Arty to the use of bonsai whales in garden ponds. From a naïve Catholic priest called Father Thousands to EU regulations requiring French windows to be made in France. From a Middle-aged Folk's Home to a conman called Big One O'Really. And whether funfairs are just a chance for 13-year-old girls to meet gypsies. As life goes by, Wilfric increasingly feels he is being watched. He eventually discovers who by, but not why. That is only resolved when they try to intercept him, resulting in an exciting canal barge chase. An audaciously satirical work in which the author's wit will make you laugh out loud.
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Drawing on history, psychology, folklore, linguistics, anthropology, and the arts, this book challenges "wooden Indian" stereotypes to redefine negative attitudes and humorless approaches to Native American peoples. Moving from tribal culture to interethnic literature, Lincoln explores such topics as the traditional Trickster of origin myths, historical ironies, Euroamericans "playing Indian", feminist Indian humor at home, contemporary painters and playwrights reinventing Coyote, popular mixed-blood music, and Red English. Lincoln turns to the texts of Native American authors including Louise Erdrich, James Welch, and N. Scott Momaday, to illustrate the rich tradition of Native American hum...