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Made in Japan
A selection of outstanding Japanese products of this century, from gadgets and furnishings to office supplies and decorative objects. Features a comprehensive introduction to the history and traditions of Japanese product design and includes biographies of the leading designers, including Naoto Fukasawa, Tokujin Yoshioka and Toyo Ito.
Japanese Design Since 1945
The first book to present a comprehensive overview of postwar Japanese design For the Japanese, the concept of design is not limited to functionality or materiality--it is deeply connected with ancient culture and rituals. In this sense, a chair is much more than what you sit on, a cup more than what you drink from: these objects are to be reflected upon, to be touched and cherished. As mass manufacture became widespread in the post-war period, fascinating cross-cultural exchanges began to take place between Japan and the West. And in recent years, a new generation of designers has taken Japanese creativity into entirely new territory, reconceptualizing the very meaning of design. Showcasing over 80 designers, hundreds of objects, and contributions from both Japanese and Western designers inspired by Japan, this volume will remain the definitive work on the subject for many years to come.
Jutaku: Japanese Houses
Quirky, surprising and entertaining - with more than 400 houses, Jutaku is architecture at the speed of Japan. Frenetic. Pulsating. Disorienting. Japan's contemporary culture is constantly in flux. In stark contrast to the centuries old imperial architecture of Kyoto, recent Japanese architectural practices have ushered in an era of continuous experimentation. With 400 houses, one house per page, one image per house, Jutaku: Japanese Houses is a fast-paced, "quick hit" shock to the system that shines a Harajuku-bright neon light on the sheer volume, variety and novelty of contemporary Japanese residential architecture. Featuring the work of many of Japan's most famous architects including Shigeru Ban, Sou Fujimoto, Toyo Ito, Kengo Kuma, Jun Igarishi, Shuhei Endo and dozens of up and coming and completely unknown young architects, Jutaku is organized geographically taking readers on a bullet train journey across Japan's architectural landscape. Essential reading for architects, designers and fans of contemporary Japanese culture.
Hitoshi Abe
Edited by Gretchen Wilkins. Text by Ken Tadashi Oshima, George Wagner, Gretchen Wilkins.
The Japanese House Since 1945
A complete sourcebook revealing the evolution of the Japanese modern dwelling during eight decades that transformed Japan.
Modern Japanese House
A survey of the most innovative new houses built in Japan.
Shigeru Ban
Beginning with his pioneering designs for United Nations refugee shelters in the mid-1990s, 2014 Pritzker winning architect Shigeru Ban has devoted himself to humanitarian efforts in the wake of some of the most devastating natural and manmade disasters of the past two decades. With projects jointly selected by Ban and AAM Nancy and Bob Magoon CEO and Director Heidi Zuckerman Jacobson, and the exhibition design done by the architect himself, Shigeru Ban: Humanitarian Architecture broadly explores this fascinating and inspiring component of the architect's practice with full-scale examples of Ban's groundbreaking designs.
New Architecture in Japan
This informative and beautifully illustrated book showcases projects of all types, sizes and budgets from the last decade in Japan, and includes museums, private houses, schools, shops, hospitals, airports and chapels. Both cutting-edge, emerging young practices – such as Sou Fujimoto and Junya Ishigami – and established, internationally known architects – among them Toyo Ito, Tadao Ando, Kengo Kuma and SANAA – are featured, as are international practices working in Japan (such as Rogers Stirk Harbour, Foster + Partners and Herzog & de Meuron). Stunning images by leading architectural photographer Edmund Sumner are accompanied by accessible critical texts and drawings. This illuminating survey is essential not just for architects and designers but also for anyone fascinated by Japan's unique – and increasing – influence on architecture worldwide.
BIG little house
What are the challenges architects face when designing dwelling spaces of a limited size? And what can these projects tell us about architecture – and architectural principles – in general? In BIG little house, award-winning architect Donna Kacmar introduces twenty real-life examples of small houses. Each project is under 1,000 square feet (100 square meters) in size and, brought together, the designs reveal an attitude towards materiality, light, enclosure and accommodation which is unique to minimal dwellings. While part of a trend to address growing concerns about minimising consumption and lack of affordable housing, the book demonstrates that small dwellings are not always simply the result of budget constraints but constitute a deliberate design strategy in their own right. Highly illustrated and in full-colour throughout, each example is based on interviews with the original architect and accompanied by detailed floor plans. This ground-breaking, beautifully designed text offers practical guidance to any professional architect or homeowner interested in small scale projects.
After the Crash
In the late 1980s, Japan was awash in seemingly unlimited wealth and rising toward what would be the peak of its modern economic success, power, and influence. In 1991 the same lethal combination of risky loans, inflated stocks, and real estate speculation that created this "bubble economy" caused it to burst, plunging the country into its worst recession since World War II. New Zealand-born architect Thomas Daniell arrived in Japan at the dawn of this turbulent decade. After the Crash is an anthology of essays that draw on firsthand observations of the built environment and architectural culture that emerged from the economically sober post-bubble period of the 1990s. Daniell uses projects and installations by architects such as Atelier Bow Wow, Toyo Ito, and the metabolists to illustrate the new relationships forged, most of necessity, between architecture and society in Japan.
