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Women in Dada
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
The Duchamp Effect
This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and ...
Robert Smithson
Publisher Description
Baroness Elsa
The first biography of the enigmatic dadaist known as "the Baroness"—Elsa von Freytag-Loringhoven. Elsa von Freytag-Loringhoven (1874–1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of m...
Interfaces
Charts the ways that woman artists have represented themselves and their life stories
Singular Women
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
The New Frontier
Television emerged as the dominant mass medium in the United States during the era that President John F. Kennedy termed the New Frontier. Although television would soon be decried as "a vast wasteland," during this era artists began to engage with the medium in a sustained manner for the first time--and not just as an object to be pictured, but as a system that demanded a renegotiation of the relationship between the realms of art and life. The New Frontier is the catalogue of the first exhibition to examine the impact of television on the visual arts in the United States at a crucial period in the development of both. With a lively selection of nearly seventy-five paintings, sculptures, in...
Dada
Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.
Sexual Politics
The essays in this volume, which is published in conjunction with an exhibition organized by UCLA at the Armand Hammer Museum of Art and Cultural Center, provide a major reevaluation of The Dinner Party and the debates that it has prompted, placing it within the broader context of art history and theory. Presenting works dating from the early 1960s to the present by other feminist artists, the book explores important issues raised in feminist art history and practice over the last thirty-five years. The works included make clear that The Dinner Party was produced within, and takes its meanings from, a historical matrix in which explorations of female sexuality, ideals of beauty, domesticity, violence against women, the questioning of male authority, the diversity of female experience, and other concerns have served as means of addressing issues of identity, oppression, and personal and social power.
On Reason and Emotion
The book is a catalogue of the fourteenth Biennale of Sydney, which brings together fifty-one artists from thirty-two countries and is distinguished by the number of new projects and new works.
