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The Furniture of Carlo Mollino
Carlo Mollino (1905-73), the son of a prominent engineer of the city of Turin, graduated with honors from the Royal School of Architecture in Turin in 1931. He joined his father's firm in the same year, only to leave to pursue an independent and highly original career in design and architecture seven years later. From the start, both his interests and personality set him apart from his contemporaries. Influenced by the Second Futurism movement and the Surrealist avant-gardes, he was active in an impressive number of fields, including aeronautics, automobile design, art, photography, set design, town planning, furniture, interior decoration and architecture. Highlights from his architectural ...
The Furniture of Carlo Mollino
Influenced by the Second Futurist and Surrealist avant-gardes, Carlo Mollino was active in a number of fields, including aeronautics, automobile design, art, photography, set design, town planning, furniture, interior decoration and architecture. This book explores his furniture and interior decoration.
Carlo Mollino
Carlo Mollino (19051973) was one of the most inspired mid-20th-century architects and designers. In a career that spanned more than four decades, Mollino designed buildings, homes, cars, aircraft, womens fashion, and theater sets. He was a renaissance man who sought to articulate movement and sensuality in his designs. Even more compelling are the magically surreal Polaroid images Mollino made in his Turin studio during the last 14 years of his life, seen here in the first-ever collection of Mollinos carefully honed erotic photographs of women. From 1,500 works, the Ferraris have culled over 250 representative images in which Molino posed his models in evocative clothing, staged the backdrops, and finally, altered the photos with a microscopic paintbrush to attain his ideal view of the female form. Only a few of Mollinos Polaroids have ever been viewed by the public.
Carlo Mollino. Designer E Fotografo. Ediz. Inglese
Focusing on Mollino's furniture and interior design, this text also showcases his incredible passion for photography, providing a comprehensive overview of his creativity and versatile talents.
Carlo Mollino
Born in 1905 as the son of a well-to-do Turin builder, Carlo Mollino studied art history and architecture and became known as a designer of furniture and interior furnishings.Mollino's obsession was with the formal language of the female body, a passion which he pursued secretly in his photographs. Between 1962 and 1973 he took some 2,000 staged nude and semi-nude Polaroid portraits of female beauties of the Turin night life.Even though Mollino had turned the staged photographs into an art genre, he always kept his women's portraits hidden away. Even today they occupy a special, enigmatic role in his work.This publication makes the attempt for the first time to shed light on this ambivalence by contrasting a selection of Mollino's Polaroid portraits with objects from Casa Mollino that were also excluded from the public eye.Published on the occasion of the exhibition at Kunsthalle Vienna project space from August – September, 2011.
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A European Version of Victorian Fiction
In this first systematic assessment of Ruffini's literary achievement, the seven novels that are apparently so different from each other emerge as an aesthetically coherent and individualized contribution to the mid-Victorian fictional canon. Composed in English by an Italian exile resident in Paris, they describe interactions among men and women of many nationalities and trace interesting European journeys and pilgrimages during the early days of mass tourism. While thus documenting such phenomena as expanding rail networks, holiday resorts and health spas, the novels dramatize, more importantly, the inadequacy of narrowly local and intolerant perspectives. The protagonists must gain a broa...
Pride in Modesty
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Dwell
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
Radical
This essential survey of Italian Radical design, a movement that interrogated modern living against the turbulent political climate of the 1960s, is lavishly illustrated with new photography, including rarely seen prototypes and limited-production pieces.
