Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Blood Runs Like a River Through My Dreams
THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, writ...
American Autobiography After 9/11
In the post-9/11 era, a flood of memoirs has wrestled with anxieties both personal and national.
Text, Lies and Cataloging
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction "memoir" was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.
The Art of Friction
"We live in an Enquirer, reality television–addled world, a world in which most college students receive their news from the Daily Show and discourse via text message," assert Charles Blackstone and Jill Talbot. "Recently, two nonfiction writers have been criticized for falsifying memoirs. Oprah excoriated James Frey on her show; Nasdijj was impugned by Sherman Alexie in Time. Is our next trend in literature to lock down such boundaries among the literati? Or should we address the fictionalizing of nonfiction, the truth of fiction?" The Art of Friction surveys the borderlands where fiction and nonfiction intersect, commingle, and challenge genre lines. It anthologizes nineteen creative wor...
Bunk
Longlisted for the National Book Award for Nonfiction “There Kevin Young goes again, giving us books we greatly need, cleverly disguised as books we merely want. Unexpectedly essential.”—Marlon James Award-winning poet and critic Kevin Young tours us through a rogue’s gallery of hoaxers, plagiarists, forgers, and fakers—from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious Ameri...
Textual Deceptions
This title considers a wide range of 20th and 21st century literary works that feature literary deceptions and false memories and in which the relationship between text and author is not what it seems. By exploring a variety of examples of false or embellished memoirs, purportedly autobiographical novels that are in fact thoroughly fictional, as well as bogus authorial personae, it discusses whether it is possible to judge veracity by means of textual clues alone. It also argues that literary deceptions and false memoirs have particular cultural value and significance.
The Corvette in Literature and Culture
As the original American sports car, the Chevrolet Corvette has come to represent power, freedom and sexuality for more than half a century. Yet it also hints at personal identity and style, suggesting how effectively values and meaning are communicated through an object. Using various critical perspectives, this close analysis of this highly recognizable automobile finds diverse aspects of American culture revealed. Topics covered include the Corvette in literature; its ties to masculine identity, including homosexuality, as well as female sexuality; and the Corvette as artistic object, among others.
True Stories
Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal exmples of the genre provide ample context and background for the study of this style of journalism.
Geronimo's Bones
Nasdijj was born in 1950s America to migrant parents-a white cowboy father and a tenderhearted Navajo mother. Surviving the brutal conditions of migrant camps in Texas, Florida, Oklahoma, and North Carolina, Nasdijj and his little brother, Tso, raced trains and found sanctuary in Navajo stories they had heard at bedtime, whispered tales about Spider Woman, Sa, Geronimo, and Coyote. After their mother's tragic death from alcohol, the young brothers were left in the care of their sometimes indifferent, often abusive, occasionally loving father. Rarely in school, the boys picked cotton, tomatoes, potatoes, apples, peaches, beans, and artichokes. Eventually, to escape this indentured servitude, Nasdijj and Tso stole a car and ran away. Told in brilliant flashes of poetry, narrative, and song, Geronimo's Bones reveals a world that to this day remains hidden from most Americans. But Nasdijj's work derives its special power from his ability to capture the universal emotions that we all share: hate and love, loss and remembrance. Book jacket.
Time
None
