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Retreat takes us on a stunning journey through the many ways humans step back from daily life, both in today's world and in our past. 'A vivid personal quest...rich and almost eerily timely' William Fiennes From mindfulness and meditation to yoga breaks and spiritual bootcamps, stepping back from daily life remains a human obsession. In this endlessly enlightening book, Nat Segnit experiences retreats around the world as he investigates why we seek solitude, what we get out of it, and what is going on in our brains and bodies when we achieve it. Along the way, he meets yogic scholars, scientists, religious leaders, philosophers and artists, gaining fascinating - and often startling - insights. 'With a charming blend of sincerity and intellectual curiosity, Segnit leads us sure-footedly into the wilderness' Cal Flyn, author of Islands of Abandonment 'Open-minded, elegantly written and comprehensive' Daily Telegraph
A cunning, hilarious and heartbreaking debut novel that takes the form of a guide for walkers but is really a whole lot more.
'The fragmented stories and haunted photographs in Paul Scraton and Eymelt Sehmer's In the Pines feel like field recordings from the shadow forest of their imaginations, transcribed into the pages of an old Explorer's Journal. I felt like I had gone into the forest, rucksack packed with Binoculars, Compass, Penknife, Whistle, Magnifying glass, Notebook, Pencil... and this haunting, collodion-eerie book..' – Jeff Youngl, author of Ghost Town In the Pines is author Paul Scraton's story of an unnamed narrator's lifelong relationship with the forest and the mysteries it contains, told through fragmented stories that capture the blurred details and sharp focus of memory.. Accompanied by eerie images created using a 170-year-old technique of collodion wet plate photography by Eymelt Sehmer, In the Pines is a powerfully evocative collaboration between image and text
'A brilliant short novel that serves as a brave, sharp-toothed brief against letting the past devour the present' The New York Times 'Excels in its readiness to court controversy without surrendering nuance, and in place of moralising it offers questioning that's as necessary as it is unsettling.' Observer Written as a report to the chairman of Yad Vashem, Israel's memorial to the victims of the Holocaust, the unnamed narrator of The Memory Monster recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination, guiding tours through the death camps. The job becomes a mission, and then a dangerous obsession. With great perspicuity and the bitterest black humour, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honour the suffering of our forebears without becoming consumed by it?
'You could cook from it over a whole lifetime, and still be learning' Nigella Lawson 'A rigorous, nuts-and-bolts bible of a book' Jay Rayner, Observer 'Lateral Cooking...uncovers the very syntax of cookery' Yotam Ottolenghi 'Astonishing and totally addictive' Brian Eno The groundbreaking book that reveals the principles underpinning all recipe creation, from the author of the bestselling The Flavour Thesaurus Do you feel you that you follow recipes slavishly without understanding how they actually work? Would you like to feel freer to adapt, to experiment, to play with flavours? Niki Segnit, author of the landmark book The Flavour Thesaurus, gives you the tools to do just that. Lateral Cooki...
Sixteen-year-old Nora Lindell is missing. And the neighbourhood boys she's left behind are caught forever in the heady current of her absence. As the days and years pile up, the mystery of her disappearance grows kaleidoscopically. A collection of rumours, divergent suspicions, and tantalising what-ifs, Nora Lindell's story is a shadowy projection of teenage lust, friendship, reverence, and regret, captured magically in the voice of the boys who still long for her. Far more eager to imagine Nora's fate than to scrutinise their own, the boys sleepwalk into an adulthood of jobs, marriages, families, homes and daughters of their own, all the while pining for a girl - and a life - that no longer exists, except in the imagination.
Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin's town, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. They sit in the shadow of a vast wall, inscribed with strange messages. Out here, the people live an honest life - and if there's any trouble, they have a way to settle it. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might compromise the community. Nothing happens if there's only one allegation. Or two. But any more than that, and there has to be a reckoning. Don't try running. The moors are a dangerous place, boggy and treacherous; a wrong foot can see you sunk. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for? What power do sentences have to bind us to our deeds? And what power do names have to anchor the world when extinction is in the air?
Something about your generation I've noticed, she said not unkindly once I had fallen silent, is that you give up very easily. Autumn 2018. A young woman starts a job as a research assistant at Oxford. But she can't shake the feeling that real life is happening elsewhere. Eight months later she finds herself in London. She's landed a temp contract at a society magazine and is paying £80 a week to sleep on a stranger's sofa. As the summer rolls on, tensions with her flatmate escalate. She is overworked and underpaid, spends her free time calculating the increasing austerity in England through the rising cost of Freddos. The prospects of a permanent job seem increasingly unlikely, until she f...
JOSEPH is trying to focus on a plumbing job, but is too distracted by the terrible things that have been happening in his family. JOSEPH believes that his son has tried to murder his wife. JOSEPH is afraid that his wife is going to leave him. JOSEPH is terrified that his son will try to kill again. Insignificance – the debut novel for adults from Carnegie Medal-nominee James Clammer – unfurls over the course of twenty-four hours, placing the reader right inside the head of its struggling narrator. A tender act of empathy for the uncertainty and awkwardness of a vulnerable man, Insignificance is also a masterclass in burning tension – as we start to fear not just for the safety of Joseph's family, but that Joseph himself may not even make it through the day....