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Frindleswylde
Hauntingly told and sumptuously illustrated, this wintry modern fairy tale is perfect for holiday sharing. When Frindleswylde is near, the wind trembles, the sun pales, and the wild things hide. When he enters Cora and Granny's house in the woods, Frindleswylde steals the light from their lantern, so Granny can’t find her way home after work in the dark. And when a determined Cora chases the mysterious boy down a hole in the fishpond to his frozen kingdom, he sets her three Impossible Tasks. If she completes them, she can take her light and go, or so he says. But can Cora resist the urge to forget? As fresh and sparkling as sunlight on ice, this beautifully illustrated tale of enchantment—reminiscent of Hans Christian Andersen’s “The Snow Queen”—celebrates the transformative power of love in the darkest of times, the unbreakable bond between grandparent and child, and the bright promise of springtime.
Hortense and the Shadow
"Through the dark and wolfish woods, through the white and silent snow, lived a small girl called Hortense. Though kind and brave, she was sad as an owl because of one thing . . . Hortense hated her shadow." A beautifully illustrated dark fairy tale that will remind you of the fables you read as a child. A treasure not to be missed.
At Home in a Book
Step inside the worlds of classic children's books, look through the contents of Sherlock’s deducting bag and pore over the map of Neverland. Illustration star Lauren O'Hara brings the world of nine classic children's books to life - letting you step into iconic houses and explore their stories. The perfect gift for literary lovers and bookworms-to-be, each book is illustrated with an immersive cutaway illustration; you can look inside each room, see characters and pore over details. Featuring Alice in Wonderland, Anne of Green Gables, The Adventures of Sherlock Holmes, The Wizard of Oz, Heidi, Twenty Thousand Leagues Under the Sea, A Little Princess, Little Women and Peter Pan and Wendy. Perfect to introduce young readers to childhood classics books, while bringing literary worlds to life for avid bookworms.
Bitter Shade
A seminal anthropological work on the paradoxical relationship between human consciousness and the environment “Innovative, insightful, incandescent.”—Arun Agrawal, author of Environmentality: Technologies of Government and the Making of Subjects This book asks age-old questions about the relationship between human consciousness and the environment: How do we think about our own thoughts and actions? How can we transcend the exigencies of daily life? How can we achieve sufficient distance from our own everyday realities to think and act more sustainably? To address these questions, Michael R. Dove draws on the results of decades of research in South and Southeast Asia on how local cult...
Saint Margaret, Queen of the Scots
Margaret, saint and 11th-century Queen of the Scots, remains an often-cited yet little-understood historical figure. Keene's analysis of sources in terms of both time and place – including her Life of Saint Margaret , translated for the first time – allows for an informed understanding of the forces that shaped this captivating woman.
Changing Subjects
Theoretical accounts of modern American poetry often regard literary texts as the expression of a subjectivity irremediably fractured by the dividing practices of power. In Changing Subjects, Srikanth Reddy seeks to redress our critical bias toward a fatalistic poetics of rupture and fragmentation by foregrounding a fluent tradition of writers from Walt Whitman to John Ashbery who explore digression, rather than disjunction, as a rhetorical strategy for the making of modern poetry.Mapping the ramifying topography of literary digression, Changing Subjects offers a wide-ranging anatomy of "the excursus" within twentieth-century American poetics. Moving from aesthetics to the archive to narrato...
The Bandit Queen
"O Bandit Queen!" the bandits cried. "Little horror! Poison weed! We'll give you everything a queen could ever need..." The bandits give their queen treasure, tigers, mischief and mayhem. But sometimes a little girl needs something more... A beautiful book about finding family in unexpected places, from the creators of Hortense and the Shadow.
Keeping a Creative Sketchbook
An inspiring creativity guide for keeping a sketchbook as an artistic practice, with techniques and sources of inspiration for experimenting, drawing, painting, and seeing the world through a colorful lens, from watercolor artist and author of The Joy of Watercolor Emma Block Keeping a sketchbook is a wonderfully rewarding pursuit for artists and hobbyists alike. Your sketchbook is a safe place to explore, experiment, try new things, record your progress, and sometimes mess up, and working in a sketchbook, particularly on location, is an innately mindful practice. You become completely focused on the things you are sketching or painting and completely immersed in the atmosphere of the place....
Down from the Attic
Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.
