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Anna Lena Seiser, Brian Kuan Wood, Marius Babias, Natascha Sadr Haghighian
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Natascha Sadr Haghighian exposes the contradictions and sources of friction within visual representation. The selection of writings, interviews, materials, and pictures of works by the artist gathered here spans roughly fifteen years. It shines light on the artist?s sustained curiosity and the multifaceted research it spurs into techniques of seeing and technologies of visibility. ?Looking awry,? a practice that pays attention to what is seen from the corner of one?s eye, that seeks out the margins of the images and pursues the visual byways, is its chosen method. Typically using her own phenomenological observations as points of departure, Sadr Haghighian has in the present book compiled examples of this technique of seeing and thinking that illustrate its varied application.00Exhibition: n.b.k. Neuer Berliner Kunstverein, Berlin, Germany (12.06. - 31.07.2021).
Following a thread, from string figures though algorithms.
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SOLO SHOW is a research-based exhibition project initiated by artist Natascha Sadr Haghighian upon MAMbo's invitation to present a one-person show in its premises. SOLO SHOW was developed by Sadr Haghighian jointly with mixedmedia berlin, a Berlin production company. mixedmedia berlin produces works for well-established, international artists but usually stays unnamed and invisible to the public. On the occasion of SOLO SHOW the artist collaborated with mixedmedia berlin's head, Uwe Schwarzer, to create a project that reflects on the terms of production in contemporary art. By inventing a fictional artist named Robbie Williams (the artist, not singer) and premiering at MAMbo hisfirst museum ...
The Arabic edition of "How to spell the struggle" by Natascha Sadr Haghighian.