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The Talented Women of the Zhang Family
"There is absolutely nothing remotely like this book in the history of late imperial women. [An] immensely important book."—Gail Hershatter, author of Women in China's Long Twentieth Century "A masterful work."—Lynn Hunt, coeditor of Beyond the Cultural Turn
China and her biographical dimensions
Das Buch ist dem Andenken des 1999 verstorbenen renommierten Bochumer Sinologen Helmut Martin gewidmet. Namhafte Chinawissenschaftler aus der ganzen Welt spannen in ihren Beitragen einen Bogen, der das umfangreiche ?uvre der wissenschaftlichen Arbeit Helmut Martins widerspiegelt. Nach einer personlich gehaltenen Einfuhrung zu Leben und Werk Helmut Martins konzentriert sich der Themenschwerpunkt des Bandes auf (auto-)biographische Fragestellungen in Literatur, Wissenschaft, Politik und Wirtschaft des traditionellen und des modernen Chinas. Die chinesische und taiwanesische Literatur des 20. Jahrhunderts sind hierbei besonders ins Blickfeld geruckt. Aber auch zu linguistischen Fragestellungen und den Themen Ubersetzung, Chinarezeption und -perzeption sind eine Reihe wichtiger Aufsatze enthalten. Im Anhang des Buches findet sich ein Gesamtverzeichnis der Schriften von und uber Helmut Martin.
Untamed Shrews
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
On Their Own Terms
In On Their Own Terms, Benjamin A. Elman offers a much-needed synthesis of early Chinese science during the Jesuit period (1600-1800) and the modern sciences as they evolved in China under Protestant influence (1840s-1900). By 1600 Europe was ahead of Asia in producing basic machines, such as clocks, levers, and pulleys, that would be necessary for the mechanization of agriculture and industry. In the seventeenth and eighteenth centuries, Elman shows, Europeans still sought from the Chinese their secrets of producing silk, fine textiles, and porcelain, as well as large-scale tea cultivation. Chinese literati borrowed in turn new algebraic notations of Hindu-Arabic origin, Tychonic cosmology, Euclidian geometry, and various computational advances. Since the middle of the nineteenth century, imperial reformers, early Republicans, Guomindang party cadres, and Chinese Communists have all prioritized science and technology. In this book, Elman gives a nuanced account of the ways in which native Chinese science evolved over four centuries, under the influence of both Jesuit and Protestant missionaries. In the end, he argues, the Chinese produced modern science on their own terms.
Tears from Iron
Her analysis contributes a broader and deeper understanding of the Incredible Famine than has previously been available in English and situates the tragedy alongside Irish and Indian famines to provide a truly global comparison of cultural responses to famine in the nineteenth century."--BOOK JACKET.
China's Great Proletarian Cultural Revolution
Treating China's Cultural Revolution as much more than a political event, this innovative volume explores its ideological dimensions. The contributors focus especially on the CR's discourse of heroism and messianism and its demonization of the enemy as reflected in political practice, official literature, and propaganda art, arguing that these characteristics can be traced back to hitherto-neglected undercurrents of Chinese tradition. Moreover, while most studies of the Cultural Revolution are content to point to the discredited cult of heroism and messianism, this book also explores the alternative discourses that have flourished to fill the resulting vacuum. The contributors analyze the intense intellectual and artistic ferment in post-Mao China that embody resistance to CR ideology, as well as the urgent quest for authentic individuality, new forms of social cohesion, and historical truth. Contributions by: Anne-Marie Brady, Woei Lien Chong, Lowell Dittmer, Monika Gaenssbauer, Nick Knight, Stefan R. Landsberger, Nora Sausmikat, Barend J. ter Haar, Natascha Vittinghoff, and Lan Yang.
A Cultural History of Modern Science in China
Historians of science and Sinologists have long needed a unified narrative to describe the Chinese development of modern science, medicine, and technology since 1600. They welcomed the appearance in 2005 of Benjamin Elman's masterwork, On Their Own Terms. Now Elman has retold the story of the Jesuit impact on late imperial China, circa 1600-1800, and the Protestant era in early modern China from the 1840s to 1900 in a concise and accessible form ideal for the classroom. This coherent account of the emergence of modern science in China places that emergence in historical context for both general students of modern science and specialists of China.
Drama Kings
In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera’s key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism. Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai...
Why Concepts Matter: Translating Social and Political Thought
Translation is indispensible to transmissions of knowledge across time and place; to understanding how and what others think. There is a vast stock of theories about how to translate, deriving mainly from controversies about sacred and literary works. Yet there is little discussion of the distinctive issues involved in translating political and social thought. This volume breaks new ground by focusing on them. Thirteen scholars consider problems arising from the study of translation and the cultural transfer of texts. Especially novel is the application of these issues to two relatively new disciplines: translation studies, and the history of concepts (Begriffsgeschichte). This volume opens a discussion of what and how each of them can learn from, and contribute to, the others.
The Discovery of Chinese Logic
Until 1898, Chinese and foreign scholars agreed that China had never known, needed, or desired a field of study similar in scope and purpose to European logic. Less than a decade later, Chinese literati claimed that the discipline had been part of the empire’s learned heritage for more than two millennia. This book analyzes the conceptual, ideological, and institutional transformations that made this drastic change of opinion possible and acceptable. Reconstructing the discovery of Chinese logic as a paradigmatic case of the epistemic shifts that continue to shape interpretations of China’s intellectual history, it offers a fresh view of the formation of modern academic discourses in East Asia and adds a neglected chapter to the global histories of science and philosophy.
