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The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
Enrich each day with wisdom from our greatest spiritual thinkers. Through brief daily readings and reflection questions, the 30-Day Journey series invites readers to be inspired and transformed. By devoting a moment to meaningful reflection and spiritual growth, readers will find deeper understanding of themselves and the world, one day at a time.Beloved across the centuries, Jane Austen is widely celebrated for her novels depicting life and romance in eighteenth-century England and the engrossing characters that fill their pages. Whether you read Pride and Prejudice every year or are encountering Austen's wit and wisdom for the first time, this journey provides the perfect way to engage the thought of one of the most popular novelists ever to pick up a pen.
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewe...
Satirical fantasy featuring the interplanetary adventures of the fabulous Dr. Ransom.
Why does Jane Austen "mania" continue unabated in a postmodern world? How does the brilliant Regency novelist speak so personally to today's women that they view her as their best friend? Jane Austen's Women answers these questions by exploring Austen's affirming yet challenging vision of both who her dynamic female characters are, and who they become. This important new work analyzes the heroines' relationships to body, mind, spirit, environment, and society. It reveals how, despite a restrictive patriarchal culture, these women achieve greatness. In clear, lively prose, Kathleen Anderson shares original theoretical insights from twenty years of studying Austen, and illuminates the novels as guidebooks on how to become an Austenian heroine in one's everyday life. This engaging book will appeal to a broad readership: the serious student, the general lit-lover, and the Austen neophyte alike.
The Christian tradition provides a wealth of insight into perennial human questions about the shape of the good life, human happiness, virtue, justice, wealth and poverty, spiritual growth, and much else besides -- and Christian scholars can do great good by bringing that rich tradition into conversation with the broader culture. But what is the nature and purpose of distinctively Christian scholarship, and what does that imply for the life and calling of the Christian scholar? What is it about Christian scholarship that makes it Christian? Ten eminent scholars grapple with such questions in this volume. They offer deep and thought-provoking discussions of the habits and commitments of the Christian scholar, the methodology and pedagogy of Christian scholarship, the role of the Holy Spirit in education, Christian approaches to art and literature, and more. CONTRIBUTORS Jonathan A. Anderson Dariusz M. Brycko Natasha Duquette M. Elizabeth Lewis Hall George Hunsinger Paul K. Moser Alvin Plantinga Craig J. Slane Nicholas Wolterstorff Amos Yong
"Historicizes British women's relationships with other women through the medium of commemorative writing over the course of the long eighteenth century. Featuring archival discoveries, the contributions in this volume trace female networks, friendships, rivalries, and competition and uncover the material record of women's honor"--
Mind, Body, Motion, Matter investigates the relationship between the eighteenth century's two predominant approaches to the natural world - mechanistic materialism and vitalism - in the works of leading British and French writers such as Daniel Defoe, William Hogarth, Laurence Sterne, the third Earl of Shaftesbury and Denis Diderot. Focusing on embodied experience and the materialization of thought in poetry, novels, art, and religion, the literary scholars in this collection offer new and intriguing readings of these canonical authors. Informed by contemporary currents such as new materialism, cognitive studies, media theory, and post-secularism, their essays demonstrate the volatility of the core ideas opened up by materialism and the possibilities of an aesthetic vitalism of form.
Jane Austen's heroines respond to the power of the natural world, seeking comfort in nature's calm or referencing trees and "verdure"--meaning fresh greenness and fertility--in relation to their awakening self-knowledge and, in most, their sexuality. This book focuses on interactions between Austen's heroines and uncontrollable forces of nature. Gender and nature are interwoven; some upper-class, usually male characters exploit nature as they exploit women. In the fragment Sanditon, Austen satirizes resort developers who commodify both nature and women. This work demonstrates how Austen transformed the Regency novel through pastoral language and structures, illuminating themes of greed, the inequality of institutions and cultural norms, and the emotional development of young women in the early nineteenth century.