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Terroir
The word “terroir” refers to the climate and soil in which something is grown. Natasha Sajé applies this idea to the environments that nurture and challenge us, exploring in particular how the immigrant experience has shaped her identity. She revisits people and literature across her life, including her experiences as the child of European refugees in suburban New Jersey, taken under the wing of a widowed neighbor; a winter spent waitressing in Switzerland; her marriage to a Jamaican man in Baltimore; and finally her marriage to a woman in Salt Lake City. This memoir-in-essays combines poetic lyricism with incisive commentary on nationality, race, ethnicity, gender, sexual orientation, and class. Reminding us that change is constant in our lives, Sajé asks how terroir creates identity. Throughout, the English language is her most fertile ground.
A Study Guide for Natasha Saje's "The Art of the Novel"
A Study Guide for Natasha Saje's "The Art of the Novel," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Special Delivery
Special Delivery holds a variety of poetic forms, missives to which the speaker doesn’t expect a reply. The addressees—including the Phaistos disk, Caitlyn Jenner, and the wind—cannot or will not answer, but the reader is invited to take their place. Gender, sexual orientation, and the environment provide contexts for epistemological questions that pepper these poems of longing and wonder, of pique and wit.
Windows and Doors
A poetry handbook rooted in theory, history, and philosophy
Red Under The Skin
• Winner of the 1995 Towson State University Prize for Literature • Winner of the 1993 Agnes Lynch Starrett Poetry Prize
Vivarium
Poetry. A vivarium is an enclosure for living things--plants or animals--which might likewise be said of a poem. With a vivacious sensibility and unruly leaps from elegiac to ironic, Sajé's new book is an abecedarium, fully using the page, and challenging all manner of received wisdom. Employing lyrics, lists, arguments, narratives, and meditations, and including prose poems devoted to particular letters as well as invented visual or conceptual pieces, in VIVARIUM the alphabet is endowed with power far beyond usefulness. Form breathes life in this book, and the lived emotion of these poems defies death.
Eat This Poem
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
Poets of the New Century
Poets of the New Century picks up the thread of contemporary American verse where our earlier anthology, New American Poets of the '90s, left off.
Bend
"[D]ivulges the spirit of a sensualist and the habits of a contemplative; sometimes vice versa. Colors are separated with the veracity of paint. Shifts in temperature are registered and background noises distinguished, not only for texture's sake but for their essential contribution to the poems' substance. Fine foods are sung and individual words lit. For company Sajé summons a curious assortment of lettered forbears including Cotton Mather, Henry Vaughan, Nietzsche, Proust, Gertrude Stein, and Mary Shelley. A virtuous and subtly depraved book is Bend." -C.D. Wright
Women, Love, and Power
Elaine Baruch is not only among the most quiet-voiced and fair-minded of feminist writers. She is also among the most far-ranging in her scholarship, equally at ease with the writers of the Renaissance and Freud, the medieval troubadours, and our contemporary polemicists. . . instructive, absorbing, and persuasive. --Diana Trilling A lively mind is at work here and a keen and witty writer too. --Irving HoweThis is a fine collection of essays. . . making many imaginative conjectures and amusing connections. --Times Literary SupplementIn these essays what emerges is a history of romantic love. . . Highly recommended.--Library Journal Arguing that romantic love need not be a tool of women's oppression, feminist critic Baruch. . . contends that unacknowledged male fantasies about love motivate much literature by men. . . rewarding, provocative.--Publishers Weekly Utilizing both Freudian and non-Freudian psychoanalysis as well as feminist criticism, Baruch examines literary works by women and men from medieval and Romantic periods as well as cultural observations on the twentieth century and how they have influenced attitudes toward love.
