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How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention...
How the creative use of pop music in film--think Saturday Night Fever or Apocalypse Now--has shaped and shifted music history since the 1960s Quick: What movie do you think of when you hear "The Sound of Silence"? Better yet, what song comes to mind when you think of The Graduate? The link between film and song endures as more than a memory, Nate Patrin suggests with this wide-ranging and energetic book. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock 'n' roll, reggae, R&B, jazz, techno, and hip-hop: each h...
Dylan Kwabena Mills, better known as Dizzee Rascal, has evolved from cutting-edge pioneer of grime and hip-hop into one of Britain's biggest pop stars. And the East London rapper, songwriter and record producer did it without compromising his startlingly original vision and persona. Paul Lester traces Dizzee's career, first as a pirate radio DJ aged 16, then as a member of grime collective the Roll Deep Crew, and finally as a solo artist. In this no-holds-barred account, read about Dizzee's brush with death in Ayia Napa, his unlikely appearance on BBC2's Newsnight, where he was grilled about politics by Jeremy Paxman, and the stories behind his hits and special projects.
The history of music education over the past 100 years has centered on traditional band, choir, and orchestra models. Yet music education has always secured a prominent place in the curriculum when it captures the musical imagination of the masses, and research has shown that more and more students are seeking alternative opportunities to engage with music. Songwriting is a 21st Century curricular offering that considers who we are as a society--our desires, our goals, our passions. Most often, songwriting occurs in Modern Band classes that are beginning to pop up all around North America and many parts of the world. This book provides curricular support for those efforts as we look to the present and future of music teaching and learning.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
All the unwritten rules of rap say it doesn’t happen like this. Yet Killer Mike, a Black man from Atlanta, Georgia, and El-P, a white man from Brooklyn, New York, have transformed what should have been the twilight of their careers as rappers into their biggest spotlight yet. Known as the hip-hop duo Run The Jewels, they have headlined festivals worldwide, become action figures and Marvel comic book characters, spearheaded a worldwide countercultural movement, and played a significant role in the last two presidential elections. This is the buddy-movie-like story of how they got there. It is a tale that parallels the incredible changes the music industry has gone through over the past twen...
In 1996, Patterson Hood recruited friends and fellow musicians in Athens, Georgia, to form his dream band: a group with no set lineup that specialized in rowdy rock and roll. The Drive-By Truckers, as they named themselves, grew into one of the best and most consequential rock bands of the twenty-first century, a great live act whose songs deliver the truth and nuance rarely bestowed on Southerners, so often reduced to stereotypes. Where the Devil Don’t Stay tells the band’s unlikely story not chronologically but geographically. Seeing the Truckers’ albums as roadmaps through a landscape that is half-real, half-imagined, their fellow Southerner Stephen Deusner travels to the places the...
Intellectual property law in the United States does not work well and it needs to be reformed—but not for the reasons given by most critics. The issue is not that intellectual property rights are too easily obtained, too broad in scope, and too long in duration. Rather, the primary problem is overreaching by publishers, producers, artists, and others who abuse intellectual property law by claiming stronger rights than the law actually gives them. From copyfraud—like phony copyright notices attached to the U.S. Constitution—to lawsuits designed to prevent people from poking fun at Barbie, from controversies over digital sampling in hip-hop to Major League Baseball's ubiquitous restricti...
These erotic comics stories span 1968-1986. "The Man from Harlem" is Crepax's ode to boxer Joe Louis and jazz. In other tales, Valentina attempts to balance new relationships with lovers Bruno and Effi alongside the domestic life she shares with Phil.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.