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Two classic short stories, one about a male reporter who writes an advice column, and the other, about people who have migrated to California in expectation of health and ease.
These two dark stories, and the most notable works of the short career of Nathanael West, remain stunningly powerful pieces of fiction more than 75 years after their original publication.
'The Dream Life of Balso Snell' (1931), originally published in Paris, is in words of Robert Coates 'a fantasy, about some rather scatological adventures of the hero in the innards of the Trojan Horse.' 'Miss Lonelyhearts' (1933) is considered his [the author's] masterpiece. 'It is one of the books, ' writes Malcolm Cowley, 'that had very few readers for the first edition, but simply refuse to be forgotten.' 'A Cool Million' (1936), with the subtitle, 'The Dismantling of Lemuel Pitkin, ' is a satiric success story in the midst of the depression, written in mock Horatio Alger Style. 'The Day of the Locust' (1939), which is considered the best novel ever written about Hollywood, is a savage indictment.'
Authoritative narrative of the life, work, ambitions, successes, and thought of the prophetic twentieth-century American novelist
DigiCat Publishing presents to you this special edition of "The Day of the Locust" by Nathanael West. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Joe Woodward combs through the archives at The Huntington Library and the John Hay Library at Brown University to paint a portrait of Nathanael West's obsession with violence and literature in 1930s America
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In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature,øpopular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the ?real? authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park?s Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.
In many ways this is the most authoritative work on the thousand year reign of Christ ever to appear in English.