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Politics in Southeast Asia
This volume provides an introduction to the politics of the five key southeast Asian states - Malaysia, Singapore, Indonesia, Thailand and the Philippines - and is intended as a textbook for undergraduate and graduate students taking courses on this subject. Using a comparative politics and political economy perspective, the author focuses in particular on the degree of democracy in the five countries, arguing that in all the countries considered democracy is, to varying degrees, imperfect. The book synthesises a wide range of scholarship, and presents the material in a concise and accessible way.
Southeast Asian Affairs 2002
This book is divided into two broad categories. There are those which provide an analysis of major developments during 2001 in individual Southeast Asian countries and in the region generally. Then there are the theme articles of a more specialized nature which deal with topical problems of concern. This volume contains twenty articles, dealing with such major themes as international conflict and co-operation, political stability, and economic growth and development.
World Literature
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Carlos Villa
"This exhibition was organized to help celebrate the sesquicentennial of the San Francisco Art Institute (SFAI)"--Acknowledgements.
Philippine Gay Culture
The book is a descriptive survey of popular and academic writings on and by Filipino male homosexuals, as well as a genealogy of discourses of male homosexuality and the bakla and/or gay identities that emerged in urban Philippines from the1960s to the present. This conceptual history engages recent events in the Philippines' sexually self-aware present, but also explores colonial history in showing how modernity implanted a new sexual order of "homo/hetero" and further marginalized the effeminate local identity of bakla.
Silliman Journal
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Puro Arte
Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
