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Managing Museums
Demand for a National Museum of India was first voiced on 26th July 1837 by Sir James Princep, then Secretary of the Royal Asiatic Society of Bengal, in a Memorandum to the east India Company. But it was not until 15th August 1949 that the National Museum was set up. it was started at the Rashtrapati Bhawan with a nucleus of about five hundred collections from an exhibition of Art of India and Pakistan, displayed at the Burlington House London, immediately after Independence. The Museum shifted to its new building on 18th December 1960. The Museum has now more than two hundred thousand collections, some of them rarest of the rare, but hardly for percent of the collections are displayed. Not more than hundred fifty thousand people visit the Museum annually, compared to nearly 60 million visitors to the Louvre in Paris and 50 million to the British Museum of London.
Treasures
This volume highlights the treasures of the National Museum New Delhi. The museum has over 2,10,000 works of art representing 5,000 years of Indian art and craftsmanship. The collection includes sculptures in stone, bronze, terracotta and wood, miniature paintings and manuscripts, coins, arms and armor, jewelry and anthropological objects. Antiquities from Central Asia and pre-Columbian artefacts form the two non-Indian collections in the museum. The museum is the custodian of this treasure trove of our multilayered history and multicultural heritage. The collection allows Indian visitors to feel a sense of pride in their ancient culture and identity and enable visitors from other countries to appreciate India's culture and its values.
Islamic Heritage of India
Handlist of displays of creative art and literature of an exhibition organized by the National Museum of India.
The Everlasting Flame
With such ancient beginnings, Zoroastrianism is as remarkably enduring as it is venerable. The principle religion of Iran until the Advent of Islam, it has also been influential beyond its own followers, interacting with other, younger faiths and shaping their views on the nature of evil, the coming of a saviour and the last days. The resonant message of Zarathustra (or Zoroaster), the founder of the religion, is encapsulated in its most sacred scripture, the Gathas, whose poetic power can still be appreciated today. This richly illustrated book explores many important themes of Zoroastrianism: its rise during the second millennium BCE, its doctrines, rituals and teachings, its growth into t...
Museums of India
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PAHARI PAINTINGS OF THE NALA - DAMAYANTI THEME
The paintings reproduced in this beautiful volume were created in the second half of the 18th century in the Dogra Pahari region of North India, mainly in what is now Himachal Pradesh. Apart from their martial qualities and rich folklore, the several schools of Pahari art have been a major contribution of the Dogra-Pahari people to the grand mosaic of Indian culture. Professor B.N. Goswamy has with great competence traced the historical and geographical back-ground in which these painting were produced. I would only add that they combine the beauty and freshness of the mountains with the rare delicacy and grace of the people living in the area.
