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Since its foundation in 1860, the Oxford University Museum of Natural History's world-renowned collections have become a key centre for scientific study and its much-loved building an important icon for visitors from around the world.The museum now holds over seven million scientific specimens including five million insects, half a million fossil specimens and half a million zoological specimens. It also holds an extensive collection of archival material relating to important naturalists such as Charles Darwin, William Smith, William Jones and James Charles Dale. This lavishly illustrated book features highlights from the collections ranging from the iconic Dodo (the only soft tissue specime...
Early entomology in east Asia; Early entomology in the middle east; Entomology in the western world in antiquity and in medieval; The early naturalists and anatomists during the renaissance and seventeenth century; Entomology systematizes and describes: 1700-1815; Systematics specializes between fabricius and darwin: 1800-1859; The history of paleoentomology; Evolution and phylogeny; Anatomy and morphology; The history of insect physiology; The history of insect ecology; The history of sericultural science in relation to industry; Insect pathology.
The Royal Entomological Society (RES) and Wiley-Blackwell are proud to present this landmark publication, celebrating the wonderful diversity of the insects of the British Isles, and the work of the RES (founded 1833). This book is the only modern systematic account of all 558 families of British insects, covering not just the large and familiar groups that are included in popular books, but even the smallest and least known. It is beautifully illustrated throughout in full colour with photographs by experienced wildlife photographers to show the range of diversity, both morphological and behavioural, among the 24,000 species. All of the 6,000 genera of British insects are listed and indexed...
Remarkable natural history artworks by women artists from the last three centuries Celebrating the work and lives of women artists spanning the last three centuries, this stunning collection showcases a selection of exquisite artworks from the unrivaled collections held in the Library of the Natural History Museum. It features specially selected artworks by women from the late 19th century onwards. Some were scientists, naturalists, and collectors, while others were the wives or daughters of scientists or were simply fascinated and enthused by the natural world. There are fine butterfly drawings by accomplished natural history illustrator Margaret Fountai≠ vivid illustrations of Indian natural, cultural, and social history by Olivia Ton≥ and detailed bird images by Elizabeth Gould, who married highly regarded ornithologist John Gould and produced more than 600 illustrations for her husband's publications. Featuring celebrated artworks and rarely-seen gems, this book serves up a visual feast of the never ending wonders of the natural world and the significant role that women have played in observing and documenting it.
The treasures highlighted here are selected both from objects on display and those stored behind the scenes. Each one is chosen for its scientific importance, striking beauty or intriguing story--and sometimes all three. Among the many exceptional natural wonders featured are: a rare meteorite from Mars; Darwin's celebrated finch specimens; a lethal claw from the dinosaur Baryonyx; one of the first forms of life on Earth; and some immaculately dressed fleas. The book also includes the magnificent Museum building itself with its many architectural treasures. With intriguing stories behind each entry, this a fascinating insight into the Museum's unrivaled collections. This reduced size edition is chunky yet portable, and retains the lavish finish of the original gift book.
Art of Nature is an astonishing visual record of the exploration of parts of the natural world that had never previously been documented. It features many of the greatest natural history artists of the last 300 years--Merian, Bartram, Ehret, the Bauer brothers, Audubon, and Gould. Some were seeking fame as scientists or artists, others sought financial gain or at least the prospect of earning a living in what they loved doing. For some it also provided them with the opportunity to present their view of nature to a wider community. Whatever the reasons, few would have contradicted Humboldt's comment that he was "spurred on by an uncertain longing for what is distant and unknown, for whatever excited my fantasy: danger at sea, the desire for adventures, to be transported from a boring daily life to a marvellous world." Continent by continent, Judith Magee draws on the unrivaled collections of the Library of the Natural History Museum in London to illustrate the development of natural history art through the centuries and its crucial role in furthering people's appreciation of nature all around the world.