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Literature of Nature
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Literature and Nature
Literature and Nature exposes students to the tremendous diversity of literacy responses to the physical environment. The selections cover four centuries of the best nature writing produced in Britain and America from the Renaissance through the twentieth century. The book includes contributions by writers from all walks of life - men and women of different races, classes and nationalities, each of whom adds a unique perspective to our understanding of the literary representation of the natural world. Contents include a variety of literary forms, including poems, short stories, non-fiction essays, travel narratives, and excerpts from novels. These varied selections reveal how concern for the environment cuts across differences of gender, social class, education, religion, race, and ethnicity. Literature and Nature provides a wide range of texts, from both well-known and less-familiar writers, and it offers students a broad base of knowledge from which to reflect and respond.
Literature and Nature in the English Renaissance
Featuring over two hundred nature-themed texts spanning the disciplines of literature, science and history, this sourcebook offers an accessible field guide to the environment of Renaissance England, revealing a nation at a crossroads between its pastoral heritage and industrialized future. Carefully selected primary sources, each modernized and prefaced with an introduction, survey an encyclopaedic array of topographies, species, and topics: from astrology to zoology, bear-baiting to bee-keeping, coal-mining to tree-planting, fen-draining to sheep-whispering. The familiar voices of Spenser, Shakespeare, Jonson, and Marvell mingle with a diverse chorus of farmers, herbalists, shepherds, hunters, foresters, philosophers, sailors, sky-watchers, and duchesses - as well as ventriloquized beasts, trees, and rivers. Lavishly illustrated, the anthology is supported by a lucid introduction that outlines and intervenes in key debates in Renaissance ecocriticism, a reflective essay on ecocritical editing, a bibliography of further reading, and a timeline of environmental history and legislation drawing on extensive archival research.
Literature, Nature, and Other
The book first establishes a theoretical framework for conceptualizing environmental analysis. It then develops a conception of environmental literature with an emphasis on works by women, arguing for the need to reconceptualize woman/nature and nature/culture associations, and critiquing the problems of male poetic sex-typing of the planet. Murphy also elaborates on specific works and authors, with an emphasis on literary texts by Hampl, Harjo, Snyder, and Le Guin. Additionally, he treats issues of canon and pedagogy, as well as the possibility of agency in a postmodern era. Ranging across diverse fields and incorporating cultural studies, post-structuralist literary theory, and ecofeminist philosophy, Literature, Nature, and Other both defines and critiques the current terrains of literary ecocriticism and nature writing/environmental literature. Literary examples are drawn from fiction, poetry, and prose, including postmodern metanarratives and works by Native Americans and Chicanas.
The New Nature Writing
"In the last decade, the proliferation and popularity of landscape writing in Britain and Ireland -- often referred to as "the new nature writing' -- has unearthed an intricate labyrinth of horizons to contemporary writing about place. The New Nature Writing: Rethinking Place in Contemporary Literature offers the first critical study of the genre. Drawing on original interviews with authors, archival research, and the latest scholarly work in the fields of literary geographies, critical localism and archipelagic criticism, the book covers the work of such writers as Robert MacFarlane, Richard Mabey and Alice Oswald. Examining the ways in which these writers have engaged with a wide range of different environments, from the edgelands to island spaces, Jos Smith reveals how they recreate a resourceful and dynamic sense of localism in rebellion against the homogenising growth of 'clone town Britain.'"--
Avenging Nature
“Nature, thou art my goddess”—Edmund’s bold assertion in King Lear could easily inspire and, at the same time, function as a lamentation of the inadequate respect of nature in culture. In this volume, international experts provide multidisciplinary exploration of the insubordinate representations of nature in modern and contemporary literature and art. The work foregrounds the need to reassess how nature is already, and has been for a while, striking back against human domination. From the perspective of literary studies, art, history, media studies, ethics and philosophy, and ethnology and anthropology, Avenging Nature highlights the need of assessing insurgent discourses that—con...
The Concept of Nature in Early Modern English Literature
Participates in an intellectual history of ecology while prompting a re-evaluation of nature in the early modern period.
Literary Darwinism
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
From Cape Wrath to Finisterre
From Cape Wrath to Finisterre is a travelogue and an homage to Celtic lands and waters, from their northern to their south western landfalls. Cape Wrath points towards the Arctic Circle at Scotland's furthest northerly limit. "Perhaps I was looking for a homeland, perhaps not, or at any rate a place where it would be worth trying to live for a while as well as one can for as long as it lasts." Finisterre, the furthest point in Galicia in northern Spain, was so named for being "The End of the Earth," Larsson's contemplative musings on life as seen from the cockpit and deck of his yacht enliven this journey from Denmark around Scotland, through the Irish Sea and onwards to Brittany and Spain. "Yes, I admit to rootlessness and impermanence," he admits. "But restlessness, on the other hand, is a scourge. It and its modern variant, stress, the futility of running round in circles, are to be avoided at all costs. It is far from certain, of course, that this way of life would suit everybody, but if it instils in someone the desire to experiment with alternatives. I shall be happy."
