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In 1966, Imelda Marcos was "e;rich, young, and beautiful, an Asian Jacqueline Kennedy."e; Years later, Benigno Aquino would call her "e;another Evita Peron,"e; referring to her ruthless ambition and seemingly insatiable desire for wealth and power. By 1986, she was in exile in Hawaii, having been driven from the country she and her husband had led for over twenty years.In Imelda Marcos, Filipino journalist Carmen Navarro Pedrosa tells the full story of Imelda's life: her tragically poor childhood and her subsequent drive to succeed socially, financially, and politically.A naive young woman from the provinces, Imelda garnered attention in 1953 as the winner of the Miss Manila contest and caug...
First released in 1969, during a time of great uncertainty for the Philippines, this unauthorized biography of one of the most intriguing women in the world was banned in her own country. For writing it, Carmen Pedrosa, with her family, was exiled to London for 20 years.Despite that, The Untold Story of Imelda Marcos became a local and international hit, selling out all of its print runs.Now, decades after the end of Martial Law, the book returns to tell the story of Imelda Romualdez-Marcos to a new generation.A modern Cinderella tale, The Untold Story of Imelda Marcos tells of how she rose from being a destitute child to becoming the most powerful woman of the country. Starry-eyed, penniles...
In this modern-day resetting of the story on which the opera, Carmen, was based, four teens tell of half-gypsy Carmen, who believes she will become a famous singer, military cadet Ryan's passion for her, and their best friends' efforts to protect them both.
In 1959, Fidel Castro assumed power in Cuba after overthrowing the government of Fulgencio Batista. In response, thousands of Cubans fled the island, mostly to the United States. This book tells the stories of these Cubans in exile, all of whom overcame great obstacles to escape the brutal Castro regime. Neither a history of Cuba nor of Castro, this book illuminates the underrepresented legacy of the Cuban Exile Community and celebrates their continued thriving in a new country.
Since the release of Baz Luhrmann's Moulin Rouge! in 2001, the film musical has returned to popularity as one of the most important cinematic genres, a box office hit that appeals to audiences of all ages. Yet the history of the musical on film goes back over seven decades earlier than that, stretching from early examples like The Jazz Singer (1927), the first ever film with synchronized sound, through the Astaire-Rogers musicals of the 1930s, the MGM and Warner Brothers extravaganzas of the 1940s and '50s, and the roadshow era of the 1960s. The genre's renaissance with La La Land (2016) and The Greatest Showman (2017) proves that it remains as appealing as ever, capable of both high critica...
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A F...
In her study of key radio dramas broadcast from 1930 to 1943, Lauren Rea analyses the work of leading exponents of the genre against the wider backdrop of nation-building, intellectual movements and popular culture in Argentina. During the period that has come to be known as the infamous decade, radio serials drew on the Argentine literary canon, with writers such as Héctor Pedro Blomberg and José Andrés González Pulido contributing to the nation-building project as they reinterpreted nineteenth-century Argentina and repackaged it for a 1930s mass audience. Thus, a historical romance set in the tumultuous dictatorship of Juan Manuel de Rosas reveals the conflict between the message trans...