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Reference Guide to Russian Literature
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
The Literary Fantastic
Om den fantastiske roman fra midten af 1700-tallet til idag med en gennemgang af litteraturkritikkens syn på genren, om udviklingen af den i England, Europa og Amerika, og endelig om dens betydning for moderne litteratur og dagens samfund
The Routledge Companion to Russian Literature
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.
Vladimir Odoevsky and Romantic Poetics
Russian thinker, pedagogue, musicologist, amateur scientist, and public servant Odoevsky (1804-69) was mentioned in the same breath as Pushkin and Gogol during his day, and is now enjoying (we presume) a revival as a writer of Romantic and Gothic fiction. Cornwell (Russian and comparative literature, U. of Bristol, England) analyzes his contribution to Russian prose fiction, particularly his approach to Romanticism, his Gothic novellas, his proto-science fiction, and his critical reception. Annotation copyrighted by Book News, Inc., Portland, OR
The absurd in literature
Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien. The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) – as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader.
Two Days in the Life of the Terrestrial Globe and Other Stories
In the title piece of this collection a party of guests wonder at the great comet which has appeared in the sky, and give their predictions of what this ill omen portends for the Earth. Mixing elements of the Gothic with fantasy, this piece marks the dawn of Russian science fiction, and constitutes a prime example of the creativity and imagination of Odoevsky's story-telling. Including the much-loved children's story 'The Little Town in the Snuffbox', the mysteries 'Imbroglio' and 'The Black Glove', and the artistic portrait 'Beethoven's Last Quartet', this volume of Odoevsky's short stories represents some of the finest of early-nineteenth-century Russian short fiction.
The Absurd in Literature
Neil Cornwell presents a study of the absurd, covering fiction and theatre. He includes sections on the antecedents, history and theory of the absurd, which are complimented by case studies of four authors. He concludes by examining how it has infiltrated the 21st century in television, radio, film and advertising.
A New Companion to The Gothic
The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic
Daniil Kharms and the Poetics of the Absurd
This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.
Incidences
Soviet 'incidents' that perfectly capture the surreal spirit of the times
