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Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military m...
Reveals how memoirs are rich repositories of information about the ways in which veterans remembered, understood, and recounted their war.
A new series by Dandi Daley Mackall, author of the best-selling Winnie the Horse Gentler series! I've run away seven times—never once to anything, just away from. Maybe that's why they call me a “runaway,” and not a “run-to.” Meet 16-year-old Dakota Brown. She used to love all things “horse” until she lost everything, including hope. The minute she sets foot on her foster parents' farm—Starlight Animal Rescue—she plans her escape. But can an “impossible” horse named Blackfire and this quirky collection of animal lovers be the home she's always dreamed of? Starlight Animal Rescue: Where problem horses are trained and loved, where abandoned dogs become heroes, where stray cats become loyal companions. And where people with nowhere to fit in find a place to belong.
Tanya Hochschild spent her childhood in Johannesburg, South Africa. Johannesburg was a beautiful place, filled with the wonders of nature, wildlife, and family. Yet Hochschild's young life was not always filled with beauty and joy; some days were rife with sorrows, much too difficult for a small child to bear alone. Since that time, Hochschild has found a way to channel both her joys and her sorrows into the written word, as collected in Memories: A Collection of Poems and Essays. Separated into Books I and II, the first section consists of Hochschild's poetry, encompassing moments experienced and wonders unveiled; the second section is a memoir of her childhood in South Africa. Hochschild goes back to a foggy morning by the Namib Desert in "A Drop of Fog." She daydreams about the owners of a silver spoon on the side of the African road in "Running Away with the Spoon." She recalls childhood piano lessons and even her first infatuation, and she does it with humility and poise. Memories offers a recollection of a life passed in a faraway, faded place, bringing the past into the present.
Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield, and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers - including Charles Dickens, Charles Kingsley, William Makepe...
Most vols. have appendices consisting of reports of various State offices.
This edited book includes chapters that explore the impact of war and its aftermath in language and official discourse. It covers a broad chronological range from the First World War to very recent experiences of war, with a focus on Australia and the Pacific region. It examines three main themes in relation to language: the impact of war and trauma on language, the language of war remembrance, and the language of official communications of war and the military. An innovative work that takes an interdisciplinary approach to the themes of war and language, the collection will be of interest to students and scholars across linguistics, literary studies, history and conflict studies.
This book comprises eleven essays by leading scholars of early nineteenth-century British literature and periodical culture. The collection addresses the many and varied links between politics and the emotions in Romantic periodicals, from the revolutionary decade of the 1790s, to the 1832 Reform Bill. In so doing, it deepens our understanding of the often conflicted relations between politics and feelings, and raises questions relevant to contemporary debates on affect studies and their relation to political criticism. The respective chapters explore both the politics of emotion and the emotional register of political discussion in radical, reformist and conservative periodicals. They are arranged chronologically, covering periodicals from Pigs’ Meat to Blackwood’s Edinburgh Magazine and the Spectator. Recurring themes include the contested place of emotion in radical political discourse; the role of the periodical in mediating action and performance; the changing affective frameworks of cultural politics (especially concerning gender and nation), and the shifting terrain of what constitutes appropriate emotion in public political discourse.