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Spanish Fly
Continuing where he left off with A Spillage of Mercury, Neil Rollinson's eagerly awaited new collection delves again into the dark, moist, unexpected bag of human experience. Taking the themes of love, sex, and life's unpredictable mysteries and excitements, he scrapes away at the veneer of normality to reveal a world that is instantly stranger and more compelling than before. Rollinson revisits the erotic with his usual wit and bravado, in poems that are sometimes playful and sensitive, sometimes visceral and shocking. He explores scientific subjects through bedroom eyes, introducing the idea of entropy to the lovers' lexicon; he makes sport a backdrop for loneliness - his characters playing golf on the moon, taking the final penalty in the shoot-out, or wandering aimlessly and forever through the high grass of the village-cricket boundary. Diverse and provocative, vibrant and accessible, Spanish Fly is an unusually happy combination: a successful stimulant and a wholly satisfying performance.
Talking Dead
Shortlisted for the 2015 Costa Poetry Prize Like Neil Rollinson’s earlier books, Talking Dead is a refreshment of the senses: lifting the lid on the human condition in a heartfelt celebration of the act of being, whether in moments of love or mortality, sex or feasting. In the central sequence of the book – a meditation on the space between life and death – the dead speak of their final earthly moments with a liberating sense of fascination, and a luminous awe. Elsewhere we enjoy al fresco sex, astronomy via many pints in the Cat and Fiddle, and the deliverance of an Indian monsoon after weeks of thirst and drought. In ‘Christmas in Andalucia’ two lovers Skype each other achingly a...
A Spillage of Mercury
This is a bawdy, Rabelaisian first collection of poems by a new writer. They celebrate life in all its diversity and the language used moves from lyrical to the vernacular.
Afterwardness
A 2019 Poetry Book Society Winter Wild Card. A Sunday Times Book of the Year 2019 Ever since her first Carcanet book, In White Ink (1991), Mimi Khalvati has been drawn to the sonnet form. In Afterwardness its pull became irresistible. She has created in this unprogrammatic series, mixing memory, history, daily life, all her intersecting geographies and cultures, a self-portrait in all her moods, anxieties and delights. The sonnet form is stretched in all sorts of fruitful directions. Just as she adapted the ghazal form to English use, here she puts the Petrarchan sonnet to striking, unfamiliar use, widening the possibilities of the form. The poems are rich with Khalvati's personal history, her Iranian origins, her long years in Great Britain. The poems play between cultures, ancestral and acquired.
Places of Poetry
Presenting the best poems from the nationwide Places of Poetry project, selected from over 7,500 entries Poetry lives in the veins of Britain, its farms and moors, its motorways and waterways, highlands and beaches. This anthology brings together time-honoured classics with some of the best new writing collected across the nation, from great monuments to forgotten byways. Featuring new writing from Kayo Chingonyi, Gillian Clarke, Zaffar Kunial, Jo Bell and Jen Hadfield, Places of Poetry is a celebration of the strangeness and variety of our islands, their rich history and momentous present.
The Air Year
Shortlisted for the Polari Book Prize 2021 Winner of the 2020 Forward Prize for Best Collection Shortlisted for the Costa Poetry Award 2020 A Telegraph Poetry Book of the Month (February 2020) A Telegraph Book of the Year 2020 A Guardian Book of the Year 2020 The Air Year is a time of flight, transition and suspension: signatures scribbled on the sky. Bird's speakers exist in a state of unrest, trapped in a liminal place between take-off and landing, undeniably lost. Love is uncontrollable, joy comes and goes at hurricane speed. They walk to the cliff edge, close their eyes and step out into the air. Caroline Bird has five previous collections published by Carcanet. Her fifth collection, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award.
Demolition
With the frank, subversive, and very funny poems in his first two books, Neil Rollinson established himself as a deft cartographer of the sensual world. While a rich and tactile eroticism still courses through Demolition, there is a new seriousness here, as mortality starts to throw its long shadow. These poems occupy a more rueful, reflective space - provisional, mercurial and fragile - a darker place where disintegration and loss are the only certainties, and memory is the only solid ground. Central to this is the death of the father - whether the poet's own, or the lost fathers of Borges or Vallejo - and the theme is broadened through a number of moving examinations of the erosion of time...
The Blue Book
The Blue Book includes poems on a range of themes, from recollections of time spent in Fiji, to sharper memories of an adolescence spent in the tough streets of a small, rural town; from dark ruminations on farm life to tender and unconventional love poems.
Resources for Teaching English: 14-16
This book contains everything an English teacher could need to engage and captivate their pupils in contemporary poetry and prose. The step-by-step lesson plans are easy to adapt to suit individual teachers' needs, and include suggestions for utilising ICT and homework ideas. The reflective style of the photocopiable worksheets encourages pupils to draw on their own experiences when analysing the issues raised. The contents are themed to reflect the current curriculum, and to be entertaining for the teacher and students alike. Extracts include In Mrs Tilscher's Class by Poet Laureate, Carol Ann Duffy and To Sir, With Love by E.R.Braithwaite. English teachers and pupils aged 14-16 will relish this set of inclusive and accessible lesson plans and worksheets, although advanced younger pupils or adult learners, especially those on EFL courses, will also find them absorbing. All materials are also available for download from the Continuum website.
Hard Water
Though firmly rooted in the domestic, natural world, Jean Sprackland's poems are thrilling excursions into the lives that we live alongside our everyday ones: the lives we are aware of in dreams, in grief, in love. She shows us the vertigo and vulnerability of human experience with great clarity and precision, tenderness and care. These are vivid poems full of light and weather and water: a flooded forest, acid rain, an inland tidal wave, an ocean of broken glass; jellyfish washed up on the beach that 'lay like saints/ unharvested, luminous'. There is an arresting imagination at work here, one as relaxed and at home in an alternative world of babies in filing cabinets, light collectors or the visiting dead, as it is in the world we think we know: supermarkets, empty flats, the A580 from Liverpool to Manchester. Lucid, sensuous and informed by an unusually tactile curiosity, the poems in Hard Water mark the assured arrival of an important poet.
