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Neil Young is one of rock and roll's most important, influential and enigmatic figures, an intensely reticent artist who has granted no writer access to his inner sanctum - until now. Shakey is the whole story of Young's incredible life and career: from his childhood in Canada to the founding of folk-rock pioneers Buffalo Springfield; the bleary conglomeration of Crazy Horse and the monstrous success of Crosby, Stills, Nash and Young; to the depths of the Tonight's the Night depravity and the Geffen years; and Young's unprecedented nineties 'comeback'. Shakey (the title refers to one of Young's many aliases) is also the compelling human story of a lonely kid for whom music was the only outlet, a driven yet tortured figure who controlled his epilepsy via 'mind over matter', an oddly passionate model train mogul who, inspired by his own son's struggle with cerebral palsy, became a major activist in the quest to help those with the condition. This long-awaited, unprecedented story of a rock 'n' roll legend is uniquely told through the interwoven voices of McDonough - biographer, critic, historian, obsessive fan - and the ever-cantankerous (but slyly funny) Young himself.
Crosby, Stills, Nash, and Young, with their distinct vocal harmonies, blending of rock, jazz, folk, and blues, and political and social activism, have remained one of the most enduring musical acts of the 1960s. This book examines their songs and themes, which continue to resonate with contemporary listeners, and argues that Crosby, Stills, Nash, and Young reflect part of the broader story of American culture. This appreciative volume contextualizes their work within the political climate of the late 1960s, and makes the case that the values and concerns expressed in their music thread through the American experience today.
Two Assassins. Two Guardians. One Common Enemy. Trecheon Omnir lives every day in a fog of cynicism. Mechanic by day, assassin-for-hire by night, Trecheon hates the life he’s been forced into after losing both arms in the cataclysmic conflict known as the War of Eons, often wondering if it’s even worth it. And yet, he’s terrified of losing the few people who have chosen to stay by his side. But then he learns that his traitorous brother, Ryota, has shown his ugly muzzle again, causing who knows what kind of trouble. And Trecheon sees it as his job to finish what he started - take out a dangerous target left over from the War. Then he meets Matt, a strange quilar with literal elemental magic who hates him based solely on his last name, and a past he doesn’t understand. Without warning, Trecheon is thrust into a war of magic, kings, and monsters – and he’s not sure he’ll survive it. This book is for anyone who loves: - Redemption arcs - Rivals turned friends - Body horror monsters - Confronting difficult pasts - Epic magic battles Color Stories - White Assassin and Tanned Hide Content Warnings: Xenophobia, assassination, blood and gore, death, body horror
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(Guitar World Presents). This exciting book from the editors of Guitar World is a treasure trove for any guitarist. Featuring electrifying profiles of everyone from hard rock gods (Wes Borland, Dimebag Darrell, Tony Iommi) to British giants (Eric Clapton, Jimmy Page, even Nigel Tufnel) to trailblazing bluesmen (John Lee Hooker, Reverend Gary Davis) to country gents (Clarence White, Albert Lee) to the founding fathers (Chuck Berry, Dick Dale) as well as jazzmen, progressive rockers, punks and rockabilly superstars, Guitar World's 100 Greatest Guitarists puts all these inspiring masters at your fingertips. But the fun doesn't stop there. Guitar World has also assembled the riveting stories beh...
In A Europe of Courts, a Europe of Factions the contributors offer an analysis of the political groups of the most representative European courts of the sixteenth and seventeenth centuries. Transcending individual cases, this collection presents the first comparative overview of the phenomenon of court factionalism. Through original research and a critical approach, González Cuerva and Koller explore in depth the emergence, coexistence and image of court factions. This contribution to the debate on the nature of early modern policy-making is enriched with a European-wide focus, which allows comparison of the circumstantial and micropolitical factors accounting for the spread of factions and the conditions in which they functioned. It also allows partisan sources to be examined with the necessary caution. Contributors are Stefano Andretta, Janet Dickinson, Luc Duerloo, Pavel Marek, José Martínez Millán, Toby Osborne, David Potter, Jonathan Spangler, Evrim Türkçelik, and Maria Antonietta Visceglia.