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"The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The ...
Tracing the global history of the Sassoon family, entrepreneurs and patrons of remarkable art and architecture, from Baghdad to Mumbai, Shanghai, Hong Kong, and London The Sassoons were prosperous as bankers and treasurers to the Ottoman sultans in nineteenth-century Baghdad, until they were driven out by religious persecution and economic pressures. Assuming the precarious status of stateless Jews, the family dispersed, establishing businesses in Mumbai, Hong Kong, Shanghai, and London. Their wealth enabled them to collect splendid works of art from the various cultures that welcomed them. This volume tells the sweeping global story of the Sassoon family through the works of art they collec...
A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper’s Bazaar and Vogue—whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers—emerged from a distinctly American combination of innovation,...
An engaging exploration of the relationship between avant-garde art and American network television from the 1940s through the 1970s The aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. This engaging catalogue comprehensively examines the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. It also addresses the larger cultural and social context of television. Artists, fascinated with the new medium and its technological possibilities, contributed to network pro...
The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes...
An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity an...
A landmark survey of the work of Isaac Mizrahi, a trailblazing and influential American fashion designer, artist, and entrepreneur Beginning with Isaac Mizrahi's first fashion collection, which debuted to critical acclaim in 1986, and running though the present day, this stylish, lavishly illustrated book presents his signature couture collections. Mizrahi's exuberant couture style is classic American, inventively reimagined. He pioneered the concept of "high/low" in fashion, and was the first high-end fashion designer to create an accessibly priced mass-market line. Mizrahi approached other complex issues through his designs, as well--mixing questions of beauty and taste with those of race,...
This package for educators includes a looseleaf three-ring binder, a videotape, and a CD-ROM. The material is not meant as a linear history of this century's art, but rather as a guide to some of the Museum's exceptional works. It can be used on its own in the classroom or as enhancement for a trip to the Museum. Each of 32 paintings is presented with a full-page reproduction, an essay, and strategies for discussion. The videotape contains a 10-minute exploration of one piece of installation art. The CD-ROM is an electronic version of the printed material. Though it may be a peripheral point, Georgia O'Keefe is the only woman whose work is represented.