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This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw’s major works. It also connects Shaw’s own experiences of love and marriage to the themes that emerge in his works, showing how his personal relationships in and out of matrimonial bonds change the ways his characters enter and exit marriages and misalliances. While providing a wealth of new analysis, this collection of essays also leaves lingering questions for the reader to spark continuing dialogue in both individual and academic settings.
This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel those of two of his contemporaries, Sigmund Freud and Georg Simmel. In particular, this book explores how theories of so-called 'marginal economics' influence fin de siècle thought about human psychology and the sociology of the modern metropolis, particularly London.
This book investigates the way the British national press covered Ireland and the ‘Irish question’ from the aftermath of the Easter Rising in 1916 to the ratification of the Anglo-Irish Treaty in 1922. Bridging the fields of history and media studies, it seeks to add to our understanding of the complex relationship between the press and politics. Using a case study of 11 newspapers, Erin Kate Scheopner investigates daily press coverage from the formative 1916-22 period to offer broader contextualisation and critical analysis of what the press, the reading public, and the government recognised to be happening in Ireland. The material examined includes articles, dedicated series, editorials, cartoons, letters to the editor, and reports from outside journalists and foreign press outlets. This research confirms that the British national press were not neutral bystanders in the Irish question debate but were active participants, helping to shape and influence the course of events that led to the signing of the Anglo-Irish Treaty.
In Shakespeare Our Contemporary (1964), Polish critic Jan Kott defines one purpose of scholarship in the humanities that summarises the chief aim of this project: ‘The writing of history and, above all, literary criticism can, and must, always be understood as an attempt to find in the past aspects of human experience that can shed light on the meaning of our own times’. That is precisely what From the ‘Troubles’ to Trumpism: Ireland and America, 1960–2023 attempts to do. Aided by the insights of Irish and Northern Irish playwrights, poets and novelists, this book uses America’s historical relationship with Ireland and Northern Ireland as a means of understanding the rise of Trum...
"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--
This study aims to supply the first contextually precise account of the male gender anxieties and ambivalences haunting the culture of Irish nationalism in the period between the Act of Union and the founding of the Irish Free State. To this end, Joseph Valente focuses upon the Victorian ethos of manliness or manhood, the specific moral and political logic of which proved crucial to both the translation of British rule into British hegemony and the expression of Irish rebellion as Irish psychomachia. The influential operation of this ideological construct is traced through a wide variety of contexts, including the career of Ireland's dominant Parliamentary leader, Charles Stewart Parnell; th...
This book analyzes the interaction of crimes, punishments, and Bernard Shaw in the nineteenth and twentieth centuries. It explores crimes committed by professional criminals, nonprofessional criminals, businessmen, believers in a cause, the police, the Government, and prison officials. It examines punishments decreed by judges, juries, colonial governors, commissars, and administered by the police, prison warders, and prison doctors. It charts Shaw's view of crimes and punishments in dramatic writings, non-dramatic writings, and his actions in real life. This book presents him in the context of his contemporaries and his world, inviting readers to view crimes and punishments in their context, history, and relevance to his ideas in and outside his plays, plus the relevance of his ideas to crimes and punishments in life.
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
This book guides medicinal chemists in how to implement early ADMET testing in their workflow in order to improve both the speed and efficiency of their efforts. Although many pharmaceutical companies have dedicated groups directly interfacing with drug discovery, the scientific principles and strategies are practiced in a variety of different ways. This book answers the need to regularize the drug discovery interface; it defines and reviews the field of ADME for medicinal chemists. In addition, the scientific principles and the tools utilized by ADME scientists in a discovery setting, as applied to medicinal chemistry and structure modification to improve drug-like properties of drug candidates, are examined.
Ireland’s Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century. Conventional wisdom holds that the playwright Sean O’Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a...