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Nelson Rodrigues: Selected Plays
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.
Life as it is
Fiction. Latin American Studies. Translated by Alex Ladd. Still relatively unknown in the United States, Nelson Rodrigues (1912 -1980) is considered by many to be Brazil's greatest playwright. The fifty-eight stories in this collection are gathered from his newspaper column, A Vida Como Ela E (LIFE AS IT IS). Written in the 1950s, these stories have since been republished numerous times in Brazil, where they have been adapted for theater, television and cinema. Available in English for the first time, LIFE AS IT IS provides a beguiling showcase for the mordant wit and biting insights of one of the twentieth century's most singular talents.
Nelson Rodrigues: Selected Plays
Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.
Impermanent Structures
Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.
With Which No One Can
The years go by like nothing and I realize that I have already reached more than half a century in the job of announcing, describing between music and words, my intimate dialogue full of surprises, I make revelations beyond mere biographical tour that here in this document a work that I go detailing from my birth through the last 11 years of the dictatorship, I lived it and greeted Trujillo giving him my hands in a school parade, I write how daily life unfolds in my hometown Santiago, participating in many cultural and sports disciplines, until officially entering the radio industry. Many will say that it is so difficult to understand the income tax return itself, but it is not like that. Th...
