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The City is for the Enlightenment a central preoccupation, that social space where both the utopian and the pragmatic concerns of the eighteenth century come together in a typical tension. Unlike St Augustine's Civitas Dei, this is to be a city of men and women, planning their social geometry, interacting commercially, elaborating, as far as possible, human and secular principles of justice. This collection of specially commissioned essays, all by distinguished eighteenth-century specialists, charts the process from a variety of angles.
Islamic conceptions of heaven and hell began in the seventh century as an early doctrinal innovation, but by the twelfth century, these notions had evolved into a highly formalized ideal of perfection. In tracking this transformation, Nerina Rustomji reveals the distinct material culture and aesthetic vocabulary Muslims developed to understand heaven and hell and identifies the communities and strategies of defense that took shape around the promise of a future world. Ideas of the afterworld profoundly influenced daily behaviors in Islamic society and gave rise to a code of ethics that encouraged abstinence from sumptuous objects, such as silver vessels and silk, so they could be appreciated...
This book introduces the fundamental aspects of digital imaging and covers four main themes: ultrasound techniques and imaging applications, magnetic resonance and MPJ in hospital, digital imaging with X-rays, and emission tomography (PET and SPECT). Each topic is developed by analyzing the underlying physics principles and their implementation, quality and safety aspects, clinical performance, and recent advancements in the field.
Introduction -- 1. The Letter -- 2. The Word -- 3. The Romance -- 4. A Reward -- 5. The Promise -- 6. The Question -- Conclusion -- Acknowledgements -- List of Illustrations -- Notes -- Bibliography -- Index.
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
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Offering a contemporary exploration of the multifaceted landscape of Afrikaans linguistics, Afrikaans Linguistics: Contemporary Perspectives marks a seminal contribution to the field. This volume, for the first time, presents accessible insights into diverse linguistics subdisciplines, inviting international scholars to familiarise themselves with Afrikaans language studies. Throughout much of the late 19th and 20th centuries, Afrikaans scholars predominantly communicated in Afrikaans, resulting in a significant gap in the dissemination of knowledge about the language. The chapters in this book, written by prominent South Africans, as well as international scholars working in the field of Afrikaans, serve as a pivotal bridge, by providing essential historical context while also paying attention to the development of Afrikaans linguistics during the 20th century. The primary focus remains on illuminating 21st century research trajectories, offering a comprehensive snapshot of contemporary scholarship in Afrikaans linguistics.
Violence Expressed explores the diverse expressions and manifestations through which the meaning of violent experiences and events is (re)produced. As language alone does not always suffice for the description of violence, this book focuses not only on the verbal and discursive expressions of violence, but also on the performative acts, material culture and the spaces that constitute these expressions. Such an approach provides a method of more comprehensively registering and understanding the manifestations and long-lasting effects of violence, whilst exploring violence both as an extreme subjective experience, and the ’ultimate truth’, thus overcoming a common epistemological antagonis...