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The Purple Violet of Oshaantu
Annotation Mee Ali has good reason to be thankful; she has a happy marriage. For some in her village, marriage turns out to be a loveless entrapment.
The Purple Violet of Oshaantu
The Purple Violet of Oshaantu is the moving story of two ordinary women living in rural Namibia. In exploring tales of their marriages to vastly different men, Neshani Andreas exposes the burdens they carry and the friendships they must forge in order to survive. When Ali arrives in the village of Oshaantu, she is met with a cold welcome. Only the young mother next door, Kauna, is willing to truly accept Ali's presence. Kind-hearted and married to an abusive husband, Kauna quickly becomes more than just a neighbour – she becomes a friend, daughter, and someone to mentor. Disaster strikes when Kauna's husband is suddenly found dead at home, causing the villagers to suspect her of poisoning him. What follows is an emotive account of Kauna's journey into widowhood and Ali's bittersweet reflections on the beliefs and customs of her village. Beautiful and thoughtfully written, Andreas paints a vibrant picture of friendship and sisterhood in traditional Namibian society. 'A gentle fighter for women's rights, who used her writing as a weapon.' Mariama Bâ 'One of Namibia's finest post-independence novels.' Erika von Weitersheim
The Other Presence
"The other presence is a novel that depicts and portrays beliefs, attitudes and viewpoints of African village people on the concept of death. The underlying belief is that, in African traditional set-ups, there is no death that occurs innocently. Behind every death, there is some form of mysterious work by either a sorcerer or a spell. Even in the situation where a Western clinic diagnoses a patient as a HIV carrier, the cause of the death of that person would have to be interrogated. The book illustrates how elder Sinvula, battles with the insinuations and accusations that he is responsible for the death of his nephew, Akapelwa. Ma Simanga, the bereaved mother has vowed not to leave a stone unturned. This time, she would stretch her trip to East Africa where answers would be given about the cause of her son's death. As in other deaths in her family, the pension payout from the deceased's contributions would be used to pay the seers."--Page 4 of cover
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Female Subjectivities in African Literature
In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for women's issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.
Counter Discourse in African Literature
This volume charts the widening frontiers of black literary aesthetics using the prose and dramatic fictions of writers from Africa and the African diaspora. The chapters come in two interactive phases of current critical discourses involving rejoinders from past-present concerns and issues of cultural and contemporary modernity. These studies stress the argument that African literature is hardly discussed outside contemporary history and that the reason for the apparent disconnection among groups in Africa and the diaspora can be traced to the disparate elements within the continent and diaspora.
Writing Namibia: Literature in Transition
Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, women’s writing, subaltern studies, literature in German, Ju|’hoansi and Otjiherero, children’s literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the book’s strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.
Underdevelopment, Development and the Future of Africa
In view of the resilience of Africa’s underdevelopment, what do Africans make of their determined aspirations for development? The continent of Africa has constantly drawn global attention, most especially for both human and natural evils. Underdevelopment, it appears, is one of the most eminent threatening evils. It has plunged and promises to maintain the majority of Africa in abject poverty, insecurity, and vulnerability. What perpetuates the ghost and gory of underdevelopment in Africa, despite a proliferation of development rhetoric and initiatives? How do ordinary Africans react to repeated talk and claims of development with little evidence of transformation for the better in their ...
Africa Writes Back to Self
The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
A Cowrie of Hope
This reimagining of the Robin Hood legend tells the story of the young boy behind the bandit hero's rise to fame. Will Shackley is the son of a lord, and though just thirteen, he's led a charmed, protected life and is the heir to Shackley House, while his father is away on the Third Crusade with King Richard the Lionheart. But with King Richard's absence, the winds of treason are blowing across England, and soon Shackley House becomes caught up in a dangerous power struggle that drives Will out of the only home he's ever known. Alone, he flees into the dangerous Sherwood Forest, where he joins an elusive gang of bandits readers will immediately recognize. How Will helps a drunkard named Rob become one of the most feared and revered criminals in history is a swashbuckling ride perfect for anyone who loves heroes, villains, and adventure. From the Hardcover edition.
