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Where does your voice come from? The one you speak with, or the one you read with? What does it sound like when you read, silently, to yourself? There are the first influences, or at least the ones that first come to mind. But you quickly admit that there are others as well. The voices that emerged from different styles, tones, and patterns in books, stories, poems. From songs and television programs, family members and teachers. There are the voices that you don’t remember as voices, the words you don’t remember reading. This voice, this combination of symbols describing a translated book of poetry, for example, might be acknowledged as the very latest influence in your life. After leav...
Contemporary research on Caribbean literature displays a rich variety of themes, literary and cultural categories, forms, genres, languages. Still, the concept of a unified Caribbean literary space remains questionable, depending upon whether one strictly limits it to the islands, enlarges it to adopt a Latin-American perspective, or even grants it inter-American dimensions. This book is an ambitious tentative to bring together specialists from various disciplines: neither just French, Spanish, English, or Comparative studies specialists, nor strictly "Caribbean literature" specialists, but also theoreticians, cultural studies scholars, historians of cultural translation and of intercultural...
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By all accounts, the most important document for studying history, literature, and culture of Hispanics in the United States has been Spanish-language newspapers. Now, a noted cultural historian and a respected indexer-bibliographer have teamed up to provide the first comprehensive and authoritative source on the production, worldview, and distribution of these periodicals. This useful compendium includes richly annotated entries, notes, and three indexes: by subject, by date, and by geography. The bibliography includes some 1,700 entries in standard bibliographic annotation.