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The Father and the Feminine
How should Christians speak of the transcendent yet personal God when our language for persons is almost always gendered? Is male imagery—such as Father, Son, or King—the only appropriate way? Are there ways to talk of God using female-gendered metaphors and pronouns? And how does the use of such language impact humans as gendered people? Moving beyond the extremes in this debate, The Father and the Feminine seeks to clarify the ways Christians speak about God: whether this is by recognizing revelation and Christian tradition; upholding God’s ineffability; using analogies, metaphors, and narratives; referring to God as Father, Son, and Spirit; or by seeking a liberating way of life in community. Spencer Miles Boersma argues that male language for God need not be problematic if used and understood correctly but, at the same time, that it cannot be the exclusive way Christians speak of the Divine. The grammar of Christian Scripture and tradition both authorize the use of female language, which Christians ought to use in pursuing a deeper relationship with God and others, as well as a more authentic view of self.
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Feminist Theologies
Feminist Theologies: A Companion explores the contemporary contours of the field. With contributors from a diverse range of settings the volume captures the current diversity and richness of feminist theologies both in and beyond the academy. Focusing both on theory and praxis, chapters move from considering the outlines of the feminist agenda, to exploring the relationship between academic feminist theology and ecclesial or personal spiritual, and finally articulating how feminist theological outlooks manifest themselves in a variety of settings. With contributions from Gina Zurlo, Nancy Bedford, Agnes Brazil, Cathryn McKinney, Rebekah Pryor, Gale Yee, Heather Eaton, Al Barrett, Simon Sutcliffe, Hannah Bacon, Lisa Isherwood, Karen O’Donnell, Jane Chevous, Alana Harris, Antonia Sobocki, Tina Beattie, Janice McRandal, Stephen Burns, Cristina Lledo Gomez, Michael W. Brierley, Claire Renkin, HyeRan Kim-Cragg, Kerrie Handasyde, Gail Ramshaw and Anne Elvey
Blasphemous Art?
This book explores the critical and transformative potential of arts and popular culture for constructions of religion, gender and sexuality. Doing so, it deploys and develops the notion of blasphemous art, honouring and building on the work of Anne-Marie Korte. Deliberately articulated with a question mark, Blasphemous Art? raises questions about the spaces, methods and resources available to individuals and communities at the gendered, sexual and racialized margins of society to tell their stories, claim their bodies and perform symbolic and sacred meaning, and it analyses the productive effects – both aesthetically, politically and theoretically – of such provocative work. The book focuses on a wide range of artistic and cultural expressions, featuring case studies from across Europe, South Africa, Israel and the United States. Drawing on feminist, queer and postcolonial perspectives, the book reveals the critical, constructive and imaginative potential of the creative arts (broadly defined) and popular culture in its complex and diverse representation of, and engagement with, religious life, belief, text, ritual and practice.
