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On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship.
Translation of fifteen lyrics marked "Ch" found in University of Pennsylvania MS French 15, along with a detailed inventory of the contents and a study of English and Chaucerian connections. When Chaucer began his service in the English courts in the late 1350s, the French lyric in the formes fixes of ballade, rondeau, virelay, and chant royal was the poetry of the court. Chaucer no doubt composed such poetry. Among extant anthologies of lyrics in the fixed forms from that time, University of Pennsylvania MS French 15, comprising 310 poems of which about half are anonymous, seems the most likely to contain works written by Chaucer. To add to the likelihood, fifteen of the best anonymous poem...
The present volume aims at a clarification and a discussion of the church in the 16th century: What did the reformers think about the essence and origin of the holy, apostolic and Catholic church? What was seen as the aim of it, its task and mission? Can human beings see the true church or not? Does it have one existence in this world and another in the world to come? Furthermore, the concept of church is indissolubly connected to the theological concepts of sin, faith, justification, sanctification, and salvation, and the study of the church also involves reflection upon the nature and scope of the sacraments, the role of the clergy, the aim of church-buildings, the significance of church p...