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North America faces a transportation crisis. Gas-guzzling SUVs clog the highways and air travelers face delays, cancellations, and uncertainty in the wake of unprecedented terrorist attacks. New Departures closely examines the options for improving intercity passenger trains’ capacity to move North Americans where they want to go. While Amtrak and VIA Rail Canada face intense pressure to transform themselves into successful commercial enterprises, Anthony Perl demonstrates how public policy changes lie behind the triumphs of European and Japanese high-speed rail passenger innovations. Perl goes beyond merely describing these achievements, translating their implications into a North American institutional and political context and diagnosing the obstacles that have made renewing passenger trains so much more difficult in North America than elsewhere. New Departures links the lessons behind rail passenger revitalization abroad with the opportunity to recast the policies that constrain Amtrak and VIA Rail from providing efficient and effective intercity transportation.
Over the last twenty-five years, Stephen Resnick and Richard Wolff have developed a groundbreaking interpretation of Marxian theory generally and of Marxian economics in particular. This book brings together their key contributions and underscores their different interpretations. In facing and trying to resolve contradictions and lapses within Marxism, the authors have confronted the basic incompatibilities among the dominant modern versions of Marxian theory, and the fact that Marxism seemed cut off from the criticisms of determinist modes of thought offered by post-structuralism and post-modernism and even by some of Marxism’s greatest theorists.
I love Anna's writing, and I adore stories of adventuring women' Dolly Alderton 'Humorous, emotional and useful' Grazia 'A beautiful memoir' Dawn O'Porter 'Warm, witty and gorgeously written' The Pool 'Even armchair travellers will get a vicarious thrill from Departures' Red *************** A call-to-action for adventurers everywhere, Departures is about the power of travel to transform us, heal us, challenge us and turn us into everyday adventure-seekers even after we return to the grind back home. Have you ever turned up on a post-heartbreak holiday hopelessly unprepared and been forced to sleep on the floor wrapped up in a curtain? How about that eagerly-awaited solo adventure when you ha...
Like Adam Silvera’s They Both Die at the End and Colleen Hoover’s It Ends with Us, Early Departures by Justin A. Reynolds, author of Opposite of Always, is a powerful and deeply moving YA contemporary novel with a speculative twist about love, death, grief, and friendship. What if you could bring your best friend back to life—but only for a short time? Jamal’s best friend, Q, doesn’t know that he died, and that he’s about to die . . . again. He doesn’t know that Jamal tried to save him. And that the reason they haven’t been friends for two years is because Jamal blames Q for the accident that killed his parents. But what if Jamal could have a second chance? A new technology allows Q to be reanimated for a few weeks before he dies . . . permanently. And Q’s mom is not about to let anyone ruin this miracle by telling Q about his impending death. So how can Jamal fix everything if he can’t tell Q the truth? Early Departures weaves together loss, grief, friendship, and love to form a wholly unique homage to the bonds that bring people together for life—and beyond.
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What happens when we leave the places we're from? What do we lose, and who do we become, and what parts of our pasts are unshakeable? Linda Mannheim's second short story collection focuses on people who have relocated – both voluntarily and involuntarily. Opening with Miami-set political thriller, 'Noir', this exquisitely rendered set of stories will leave you reeling. This Way to Departures is a deeply affecting portrait of American society and the constant search for a place to call 'home'.
If you search from Greenwich Village to Lawrence Park, and then from Turtle Bay to Chelsea, you will not find in all New York a painter less spoiled by fame than Maurice Price. It was in his nature to know from the very first that the luckier you are, the kinder you can be. I do not regard it as a limitation that in what he does and in what he wears he scarcely satisfies the romantic ideal about artists and their ways. There is nothing wild in his attire, and he does not live more dangerously than other citizens must. Still, there is something about his type of good looks that sets him apart and gives him away. Those who see him for the first time, in profile, whether at the Follies or at a funeral of an Academician, sometimes think that if they knew the man, they would esteem him more than they would love him. That is because they have not yet met him in front view, and discovered the eager friendliness in his gray eyes, the[2] sensitive, listening expression of his whole face; the look that says, "Tell me your joke in life, and I'll tell mine."