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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1928.
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"Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars - through the roaring twenties, the stock market crash, and the Depression - and describes his contact with important figures, from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots to Hawthorne, Emerson, Thoreau, and especially Whitman, Loving adds a dimension to the writer's thought that has not been fully explored, and reshapes our understanding of his tremendous contribution to American literature in what will surely become the standard biography of one of America's best novelists."--BOOK JACKET.
This work provides an in depth examination of the the group of American artists known as the Steiglitz circle. The book offers a synthetic, critical discussion of these artists' work which illustrates the social, political, and economic contexts of the 1920s and 1930s.
In 1900, hardly anyone in America had heard of Sigmund Freud, but by 1920 nearly everyone had. This is the story of the translators, editors, journalists, publishers, promoters and booksellers who first brought Freud to American readers. They included scientists and scoundrels, reckless risk-takers and buttoned-down businessmen, puritans and libertines, anarchists and capitalists, passionate freedom fighters and racist bigots. "American publishers," Freud wrote to one colleague, "are a dangerous breed." Elsewhere he called them rascals, liars, swindlers, crooks, and pirates. Here are accounts of their drunken parties, political crusades, questionable business practices, criminal prosecutions, shameless marketing, and blatant plagiarism. There's even a suicide and a murder. And lots of sex (it's a book about Freud, after all). Ideas that Freud promoted are woven so tightly into our daily lives today that, like gravity or air, we hardly notice them. This book, based on hundreds of unpublished records, explains how they first took root in American minds more than a century ago.
Philip Freneau was a poet, editor, and mariner. A graduate of Princeton, he was the roommate of James Madison and a classmate of Hugh Henry Brackenridge and Aaron Burr. When the colonies rebelled against England, he supported his newly born nation as a privateer, spending some time in a British prison as a result. He also served, more effectively, as “the poet of the Revolution.” Later he became the journalistic voice of the democrats. Ardently devoted to liberty, he believed himself to be a defender of the common man, for whom he fought selflessly and often vitriolicly throughout his life. In newspapers such as The Freeman’s Journal, The New York Daily Advertiser, The National Gazette...
A 1997 bibliography of American fiction from 1901-1925.
This third and final volume of A. David Moody's critical life of Ezra Pound presents Pound's personal tragedy in a tragic time. In this volume, we experience the 1939-1945 World War, and Pound's hubristic involvement in Fascist Italy's part in it; we encounter the grave moral and intellectual error of Pound holding the Jewish race responsible for the war; and his consequent downfall, being charged with treason, condemned as an anti-Semite, and shut up for twelve years in an institution for the insane. Further, we see Pound stripped for life, by his own counsel and wife, of his civil and human rights. Pound endured what was inflicted upon him, justly and unjustly, without complaint; and continued his lifetime's effort to promote, in and through his Cantos and his translations, a consciousness of a possible humane and just social order. The contradictions run deep and compel, as tragedy does, a steady and unprejudiced contemplation and an answering depth of comprehension.
Victor Brombert is a lion in the study of French literature, and in this classic of literary criticism, he turns his clear and perspicacious gaze on the works of one of its greatest authors—Stendhal. Best remembered for his novels The Red and the Black and The Charterhouse of Parma, Stendhal is a writer of extraordinary insight into psychology and the many shades of individual and political liberty. Brombert has spent a lifetime reading and teaching Stendhal and here, by focusing on the seemingly contradictory themes of inner freedom and outer constraint within Stendhal’s writings, he offers a revealing analysis of both his work and his life. For Brombert, Stendhal’s work is deeply per...