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A 1997 bibliography of American fiction from 1901-1925.
In 'Thirteen Years of a Busy Woman's Life' by Mrs. Alec-Tweedie, the reader is taken on a captivating journey through the daily life and experiences of a woman in the late 19th century. The book is written in a detailed and descriptive style, providing insight into the challenges and triumphs of a woman navigating societal expectations and personal ambitions. Through anecdotes and observations, the author offers a unique perspective on the role of women during this period, shedding light on both the limitations and opportunities they faced. The book's literary context is rooted in the tradition of memoirs and autobiographies, offering a firsthand account of a lesser-known aspect of history. ...
In 1926, two British women came from Cornwall to Edmonton and travelled through northern Alberta, the Northwest Territories, and the Yukon by rail, sternwheeler, and canoe. For the women, it was a liberating experience, yet Vyvyan's narrative, supported by MacLaren and LaFramboise's insightful editorial work, reveals the imperialist attitudes underlying their travels.
Gerald Lynch offers new insights into the work of a popular Canadian humourist in Stephen Leacock: Humour and Humanity. He considers Leacock's satire to be the result of a combination of two traditions - toryism and humanism - and examines the relation between Leacock's theory of humour and his view of the world.
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Set in the fictional landscape of Mariposa on the shores of Lake Wissanotti in Missinaba County, Leacock’s Sunshine Sketches of a Little Town is an affectionate satire of small town life. This series of humourous connected sketches about graft, high finance, religion, love and romance is, on one level, an intimate, comic portrait of town life and local politics. On another level, the narrative is a powerful commentary on the workings of community values and on Canada’s place within the British Empire. The Broadview edition includes a critical introduction, thorough annotation, a list of textual variants, and a range of contextual materials, including Leacock’s stage adaptation of Sunshine Sketches.
“Do you know the characteristic wine of Madeira?... I do not know whether Leacock ever drank Madeira himself—he was very much a Scotch-whisky man—but I enjoy Madeira greatly, and I never drink it without thinking of Leacock, who was sometimes dry, sometimes sweet, but who always leaves upon the tongue a hint of brimstone..." In his witty and illuminating introduction, which takes up the first third of the book, Robertson Davies invites us to join him in a Feast of Stephen. Davies’ selection of fifteen pieces from Leacock’s less familiar works presents the humorist as a true, broad, and sympathetic interpreter of Canadian life, as a man who may have lacked self-knowledge and sensitive insight into the feelings of others, but “whose best work was the outpouring of genius.” All shades of Leacock’s writing are represented here, from the “brilliant nonsense which made some critics liken him to Lewis Carroll,” to his occasional attacks of “aggressive Lowbrowism.” Together in all their diversity, Davies’ selections pay tribute to the gifts of exuberance, originality, and slightly malicious truth with which Leacock so entertainingly extends our vision.
Stories about a group of orphaned children.
This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.