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Interconnecting Music and the Literary Word
Dealing with the interconnections between music and the written word, this volume brings into focus an updated range of analytical and interpretative approaches which transcend the domain of formalist paradigms and the purist assumption of music’s non-referentiality. Grouped into three thematic sections, these fifteen essays by Italian, British and American scholars shed light on a phenomenological network embracing different historical, socio-cultural and genre contexts and a variety of theoretical concepts, such as intermediality, the soundscape notion, and musicalisation. At one end of the spectrum, music emerges as a driving cultural force, an agent cooperating with signifying and communication processes and an element functionally woven into the discursive fabric of the literary work. The authors also provide case studies of the fruitful musico-literary dialogue by taking into account the seminal role of composers, singer-songwriters, and performers. From another standpoint, the music-in-literature and literature-in-music dynamics are explored through the syntax of hybridisations, transcoding experiments, and iconic analogies.
Nasser's Peace
Gamal Abdel Nasser was arguably one of the most influential Arab leaders in history. As President of Egypt from 1956 to 1970, he could have achieved a peace agreement with Israel, yet he preferred to maintain his unique leadership role by affirming pan-Arab nationalism and championing the liberation of Palestine, a common euphemism for the destruction of Israel. In that era of Cold War politics, Nasser brilliantly played Moscow, Washington, and the United Nations to maximize his bargaining position and sustain his rule without compromising his core beliefs of Arab unity and solidarity. Surprisingly, little analysis is found regarding Nasser’s public and private perspectives on peace in the...
Between Women and Generations
Drucilla Cornell interweaves the ethical and the political in this unique and profound narrative, focusing on women and dignity.
World Philosophies
World Philosophies presents in one volume a superb introduction to all the world’s major philosophical and religious traditions. Covering all corners of the globe, Ninian Smart’s work offers a comprehensive and global philosophical and religious picture. In this revised and expanded second edition, a team of distinguished scholars, assembled by the editor Oliver Leaman, have brought Ninian Smart’s masterpiece up to date for the twenty-first century. Chapters have been revised by experts in the field to include recent philosophical developments, and the book includes a new bibliographic guide to resources in world philosophies. A brand new introduction which celebrates the career and writings of Ninian Smart, and his contribution to the study of world religions, helps set the work in context.
The War on Terrorism and the Terror of God
Uniquely relevant in a world shaken by recent acts of terror, this title calls people of faith to the way of peace, the Christian response to evil and violence.
Postfeminist Digital Cultures
This book explores the controversial social media practices engaged in by girls and young women, including sexual self-representations on social network sites, sexting, and self-harm vlogs. Informed by feminist media and cultural studies, Dobson delves beyond alarmist accounts to ask what it is we really fear about these practices.
Casting Might-Have-Beens
Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.
Rock and Romanticism
Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Women's Group Therapy
Through the use of group therapy sessions, conducted within a cognitive-behavioral framework, the author explores the cultural, social and parental influences on women's lives. In-depth case studies and transcripts from the sessions illustrate the women's actual step-by step process in examining such issues as: Self-determination Motherhood as fulfillment Consequences of a two-career family Divorce Infidelity Competitiveness among women Identifying sources of power within and outside oneself
