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Current Catalog
First multi-year cumulation covers six years: 1965-70.
The Theory of Christian Psychology
The Theory of Christian Psychology comes from the worldview that sees humanity as the object of a love relationship with Jesus Christ. Parallel to Buddhist forms of Psychology, The Theory of Christian Psychology meets the worldwide Christian population need for its own Psychology. The Theory of Christian Psychology presents a flexible foundation, addressing personality with full humanity dimension, integrating principles of clinical psychology found in Psychoanalytic Psychodynamic Psychology. Soundly Biblical and non-denominational it focuses on key precepts that bind Christianity together. The Theory of Christian Psychology bridges clinical psychology and theology in an intersection of powe...
The Tower of Babel in Genesis
This book takes the reader back to the Tower of Babel and discusses themes and ideas present that resonate throughout Genesis, the Bible, and into modern history. The reader will more fully understand why the Tower of Babel narrative appears where it does in biblical history. Furthermore, the reader will learn why this event in human history remains one of the single most important events in the interaction of humanity and the divine.
That's Entertainment
Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the "master of the intimate revue" for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals.
Recent Acquisitions
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Finding America in a Minor League Ballpark
Over forty million people attend minor league baseball games each season. Who are they? Why do they come? Let’s find out! Noted social scientist Harris Cooper took a job as a Seating Bowl Host for the most famous minor league baseball team, the Durham Bulls. As a host, he helped fans find seats and other stadium amenities, made sure everyone was safe, took pictures, and chased kids from the aisles. He got to talk with a wide-ranging assortment of people, from regular attendees to those at their very first baseball game, from retired judges to middle school students. Minor league baseball games draw a broader array of Americans than any sport. The fleeting moments spent talking baseball wit...
The Novel of Neronian Rome and Its Multimedial Transformations
This volume explores the historical novel Quo vadis written by the Polish author Henryk Sienkiewicz, examining how Sienkiewicz recreated Neronian Rome so vividly and the reasons why his novel was so avidly consumed and reproduced in new editions, translations, visual illustrations, and adaptations to the stage and screen.
200 Ways to Raise a Girl's Self-Esteem
An Empowering Book for Parenting Daughters with Self Worth “200 short reflections on topics ranging from how parents can become good role models to talking about emotions.” —Publisher’s Weekly As kids, girls often advance faster than boys, but fall behind by the time they are teens, victims of low self esteem and confusing standards of womanhood. 200 Ways to Raise a Girl's Self-Esteem is a guide to raising teenage daughters with straightforward advice for people working with preteen girls who want to help girls build positive self-images and develop full lives. Be an example for your daughter. Raising healthy girls becomes easy as you advise and create rituals that are empowering you...
Roadshow!
In Roadshow! The Fall of Film Musicals in the 1960s, film historian Matthew Kennedy explores the downfall of a beloved genre caught in the hands of misguided creators who glutted the American film market with a spate of expensive and financially unrewarding musicals between 1967 and 1972. In doing so, it offers an alternative view of this era in the world of American popular entertainment, telling of the cultural importance of the studios' death grip on the film business rather than dwelling on the failures of the flops themselves.
