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SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD 2022 LONGLISTED FOR THE GORDON BURN PRIZE A monumental speculative fiction story of love, loyalty, politics and conscience set in parallel Londons The Ark was built to save the lives of the many, but rapidly became a refuge for the elite, the entrance closed without warning. Years later, Markriss Denny is one of the select few granted entry. He carries with him a closely guarded secret: the ability of his spirit to leave his body and transcend the known world. But once in, he learns of another who carries the same power, and their existence could spell catastrophe for humanity. Denny is forced into a desperate race to understand his abilities, and in doing so uncovers the truth about the Ark, himself and the people he thought he once knew.
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.
When his dad dies under police arrest after a pub brawl, Cory goes to live with his cousin, Sean. By their late teens the cousins, though close, have chosen different paths. Sean is trying to improve his life through education, whereas Cory has already become involved in petty crime - burglary and dealing E. However, everything changes when Cory stabs a man called Roger after a rave, putting him in hospital. This has grave repercussions for Cory - Roger was supposed to be taking part in an armed robbery with Levi, a notorious crack dealer. Levi now expects Cory to take his place. But Cory breaks his leg during a football match and Sean, unable to find a replacement for his cousin, and desperate to help him, agrees to join in on the robbery himself. However, having entered a world of (apparently) easy money and hard drugs, Sean finds it increasingly hard to return to his previous life as The Scholar......
Constructed of stone and packed earth, the Great Wall of 10,000 li protects China’s northern borders from the threat of Mongol incursion. The wall is also home to a supernatural beast: the Old Dragon. The Old Dragon’s Head is the most easterly point of the wall, where it finally meets the sea. In every era, a Dragon Master is born. Endowed with the powers of Heaven, only he can summon the Old Dragon so long as he possess the dragon pearl. It’s the year 1400, and neither the Old Dragon, the dragon pearl, nor the Dragon Master, has been seen for twenty years. Bolin, a young man working on the Old Dragon’s Head, suffers visions of ghosts. Folk believe he has yin-yang eyes and other para...
Thirteen-year-old Flora lives with her guardian, Ramona, on the remote island of Tara where there are no computers, no tablets and no phones. They were all destroyed forty years ago, at the time of a global plague, to keep the islanders safe and cut off from the rest of the world.
In his sharply crafted, unnerving first collection of speculative fiction shorts, Courttia Newland envisages an alternate future as lived by the African diaspora. Robots used as human proxies in a war become driven by all-too-human desires; Kill Parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on inter-breeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition and self-destruction, but ultimately of our strength and resilience.
SOCIETY WITHIN takes us back to the Greenside Estate, West London, scene of Courttia Newland's ground-breaking and hugely successful first novel, THE SCHOLAR. Newly arrived on the estate is Elisha: sweet, bright, sassy and just eighteen. As Elisha negotiates some new territory with more than fair share of dark corners, we take in the vividly interlocking lives of the other Greensiders: cool, ambitious Valerie, with some bad secrets to deal with; Little Stacey, looking for his first girl; Orin, dealing, stealing and trying to stay away from anything too lethal. Courttia Newland tells gripping stories from real lives - stories of dreamers and fighters, love and revenge, friendship and betrayal - in a language burning with energy, originality and conviction.
Akasha is a precocious young girl with dreams of motherhood. She lives in a fantastical world where most of the oceans circulate in the aquamarine sky waters. Before she was born, the Helios, a tribe of angels from the sun, came to Earth to deliver the Surge, the next step in the evolution of an embryonic human race. Instead they spawned a race of hybrids and infected humanity with a hybrid seed. Horque manifests on Earth with another tribe of angels, the Solarii, to rescue the genetic mix-up and release the Surge. Akasha embarks on a journey from maiden to mother and from apprentice to priestess then has a premonition that a great flood is imminent. All three races – humans, hybrids and Solarii – face extinction. With their world in crisis, Akasha and Horque meet, and a sublime love flashes between them. Is this a cause of hope for humanity and the Solarii? Or will the hybrids destroy them both? Will anyone survive the killing waters of the coming apocalypse?
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.
IC3 er det engelske politis kode for "black". Bogen indeholder digte, noveller, essays og erindringer alle skrevet af forfattere af afrikansk herkomst