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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
The divine thunderbolt is one of the most ancient and pervasive religio-folkloric symbols of the human race. The divine thunderbolta sudden, never-missing missile of supernatural firehas been a universal worldwide phenomenon since prehistoric times. Some thunderbolt motifs were indigenous to a given locale; others can be traced to far-distant lands. This volume will examine the development and dispersion of symbols, folklore, and religious aspects of such a divinely generated thunderbolt, focusing on the Near East and Europe. Emphasis will be placed on the thunderbolt-wielding sky gods, their thunder weapons and the graphic symbols for them, and the role of the supernatural thunderbolt in magic, religion, myth, superstition, and folklore.
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