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Becoming Zimbabwe is the first comprehensive history of Zimbabwe, spanning the years from 850 to 2008. In 1997, the then Secretary General of the Zimbabwe Congress of Trade Unions, Morgan Tsvangirai, expressed the need for a 'more open and critical process of writing history in Zimbabwe. ...The history of a nation-in-the-making should not be reduced to a selective heroic tradition, but should be a tolerant and continuing process of questioning and re-examination.' Becoming Zimbabwe tracks the idea of national belonging and citizenship and explores the nature of state rule, the changing contours of the political economy, and the regional and international dimensions of the country's history. ...
Highlighting both the range of philosophical issues that Shona proverbs raise and the shared concerns emanating from them, this book is the outcome of 40 years work by Taperesa Mutematemi Samaita, a teacher at Mnene Boys Central Primary School in Mberengwa District from 1946 to 1949. Shona proverbs teaching formed part of his Shona lessons and he encouraged his pupils to collect as many Shona proverbs as possible. When collected, these were first analytically dealt with orally, then followed by written exercises. From its beginning at Mnene Boys Central Primary School the project continued until 1986. The proverbs contained in this book were gathered from across Zimbabwe covering Midlands, Masvingo, Manicaland and Mashonal and West Provinces. Of the 5240 Shona proverbs Taperesa Mutematemi Samaita collected 2736 are included in this book which adds to the existing inventory of proverbs by including modern proverbs that earlier collections had not included. By also including Ndau proverbs the book broadens the parameters of the Shona language by recognising that the language does not only get enriched through contact with the West but by lexical diversity within its dialects.
This was a seminal contribution to the history of the Zimbabwean liberation war, which ended with independence in 1980. The book takes a considered view of both sides in the guerrilla war, but is particularly concerned with the Zapu side. At the time of writing this was more or less uncharted territory, to some extent the result of the political outcome of the war, which in the name of national unity, silenced the Zapu story. In particular, it uses material from interviews with ex-Zimbabwe People's Revolutionary Army (Zipra) combatants, previously unobtainable. A particular angle of enquiry is the role of the evangelical Lutheran church in the war. The book is organised into sections: presenting an overview of the war and the roles of Zanu and Zapu 1964-1979; on ideologies and strategies of the liberation movements and the colonial state; on the place of the Lutheran church in Zimbabwe, the war in the west; the war in the east; church, mission and liberation; and the era of reconstruction.
This new edition of the popular school history book has been thoroughly revised to bring it fully up to date. It provides a stimulating account of Central African history from the Iron Age to the liberation struggle and the successful achievement of Zimbabwe's national independence.
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This book provides an interdisciplinary exploration of the cinematic representations of the experiences of African women and girls in situations of political conflict. The role of cinema is important in providing information about the situation of women and girls in situations of political conflict, and the main characters often also become signifiers of wider social, political and economic ideas, at both global and local levels. Drawing on fictional and biographical cinematic representations, this book considers films covering a range of different regions, experiences, historical periods and other contexts, to draw a nuanced picture of African women and girls who participate in or are affec...
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
This book is a pioneering study of Joshua Mqabuko Nkomo, a Zimbabwean nationalist whose crucial role in the country’s anti-colonial struggle has largely gone unrecognized. These essays trace his early influence on Zimbabwean nationalism in the late 1950s and his leadership in the armed liberation movement and postcolonial national-building processes, as well as his denigration by the winners of the 1980 elections, Mugabe’s Zimbabwe African National Union-Patriotic Front. The Nkomo that emerges is complex and contested, the embodiment of Zimbabwe’s tortured trajectory from colony to independent postcolonial state. This is an essential corrective to the standard history of twentieth-century Zimbabwe, and an invaluable resource for scholars of African nationalist liberation movements and nation-building.
A panoramic history uncovering the demise of Britishness as a global civic idea since the Second World War.