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Immigrants and Comics
Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucía Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the ‘immigrant’ was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book‘s interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de mémoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies.
The Householders
How the poet Robert Duncan and the artist Jess made the household part of their separate and collaborative creative practice. “I'm a householder,” the poet Robert Duncan once explained. “My whole idea of being able to work was to have a household.” In this book, Tara McDowell examines the household (physical and conceptual) that Duncan established with the artist Jess, beginning in 1951 when the two men exchanged marriage vows, and ending with Duncan's death in 1988. For Duncan and Jess, the household—rather than the studio, gallery, or collective—provided the support structure for their art. Indeed, McDowell argues convincingly, their work was coextensive with their household. T...
Comics and Migration
Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration. The volume examines both individual works of comic art and examples of practical applications of comics from across the world. Comics are well-suited to create understanding, highlight truthful information, and engender empathy in their audiences, but are also an art form that is preconditioned or even limited by its representational and practical conventions. Through analyses of various practices and representations, this book questions the uncritical belief in the capacity of co...
Cultural Heritage in the Arabian Peninsula
Heritage projects in the Arabian Peninsula are developing rapidly. Museums and heritage sites are symbols of shifting national identities, and a way of placing the Arabian Peninsula states on the international map. Global, i.e. Western, heritage standards and practices have been utilised for the rapid injection of heritage expertise in museum development and site management and for international recognition. The use of Western heritage models in the Arabian Peninsula inspires two key areas for research which this book examines: the obscuring of indigenous concepts and practices of heritage and expressions of cultural identity; and the tensions between local/community concepts of heritage and identity and the new national identities being constructed through museums and heritage sites at a state level.
Sharenthood
From baby pictures in the cloud to a high school's digital surveillance system: how adults unwittingly compromise children's privacy online. Our children's first digital footprints are made before they can walk—even before they are born—as parents use fertility apps to aid conception, post ultrasound images, and share their baby's hospital mug shot. Then, in rapid succession come terabytes of baby pictures stored in the cloud, digital baby monitors with built-in artificial intelligence, and real-time updates from daycare. When school starts, there are cafeteria cards that catalog food purchases, bus passes that track when kids are on and off the bus, electronic health records in the nurs...
The Oxford Handbook of Comic Book Studies
Thirty-eight chapters by an outstanding international team of scholars. Accessible overviews of the history and legacy of the visual storytelling medium. Covering major themes and works from a global perspective. Book jacket.
Curious Collectors, Collected Curiosities
Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the sixteenth century through today, this book gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes. Each chapter appropriates the idea of a cabinet of curiosity in order to expand its boundaries of meaning and to complicate our understanding of the acts of display and observation. These chapters also demonstrate that collecting is a universal trope which nevertheless depends on time and place for its particular expressions. Whether the collection is made up of literary texts and criticism, visual art, including mechanical reproductions, taxidermy and photography, historical travelogues, museum exhibitions, blockbuster films, or airline in-flight briefing cards, it conveys an urgent relevance to our consumer age, in which information is abundant and attention is a commodity.
Knowledge Justice
Black, Indigenous, and Peoples of Color--reimagine library and information science through the lens of critical race theory. In Knowledge Justice, Black, Indigenous, and Peoples of Color scholars use critical race theory (CRT) to challenge the foundational principles, values, and assumptions of Library and Information Science and Studies (LIS) in the United States. They propel CRT to center stage in LIS, to push the profession to understand and reckon with how white supremacy affects practices, services, curriculum, spaces, and policies.
Coding Democracy
Hackers as vital disruptors, inspiring a new wave of activism in which ordinary citizens take back democracy. Hackers have a bad reputation, as shady deployers of bots and destroyers of infrastructure. In Coding Democracy, Maureen Webb offers another view. Hackers, she argues, can be vital disruptors. Hacking is becoming a practice, an ethos, and a metaphor for a new wave of activism in which ordinary citizens are inventing new forms of distributed, decentralized democracy for a digital era. Confronted with concentrations of power, mass surveillance, and authoritarianism enabled by new technology, the hacking movement is trying to "build out" democracy into cyberspace.
Exchanges between Literature and Science from the 1800s to the 2000s
This collection of essays responds to the intense interest that the relations between the discourses of literature (and other cultural practices) and those of science have obtained throughout various fields of study. Spanning a period between the mid-nineteenth century and the twenty-first century, the work collected here is firmly focused on the cultural significance of scientific discoveries and practices, and especially on the manifold representations of science and scientists in literature and the arts. Its four sections develop from an initial moment of dwindling indefiniteness of borders between literature and the sciences to the historical perception of an increasing divide between ...
