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The year out, or internship, in a professional practice can be the most rewarding experience in an architectural student's education. It can also be a shock to the system to find that architectural working practices are very different to architectural study. This book provides a beginner's guide to professional practice and a step-by-step guide on how to find the placement that best suits your goals. It is the fourth title in the successful 'Seriously Useful Guides...' series. In order to give you a real insight into professional experience, this guide includes real life case studies from students who have been through the experience and from practices that have taken them on. It guides you ...
Design Practice Research at RMIT University is a longstanding program of research into what venturous designers actually do when they design. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. This first Pink Book documents some of its past achievements. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. It is a growing force in the world, with a burgeoning program of research in Asia, Oceania and Europe. This book documents some of its past achievements. Two kinds of knowledge are created by the research. One concerns the ways in which designers marshal their intelligence, especially their spatial intelligence, to construct the mental space within which they practice design. The other reveals how public behaviours are invented and used to support design practice. This new knowledge combined is the contribution that this research makes to the field of design practice research.
Die zwölfte Ausgabe von Candide widmet sich dem Thema Visual Urbanism – ein vollkommen neues Forschungsfeld. Fotograf*innen und Wissenschaftler*innen experimentierten mit anthropologischen, kulturwissenschaftlichen, soziologischen und geografischen Methoden, für eine Reflexion über die meist unkritische Nutzung von Bildern des öffentlichen Raums. Candide 12 sucht Möglichkeiten, diese Ergebnisse in Architektur und Stadtplanung zu integriert. Dabei beantworten Autor*innen drängende Fragen, wie nach der Nutzbarmachung fotografischer Bilder für die Architektur und vice versa.
Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots...
Focusing on a private collection of 60 postcards of modern architecture in Mumbai, New Delhi, Kolkata, Chennai and Agra, the contributors to this volume explore the many dimensions of modern architecture in India from the 1890s to the 1970s and share their own perspective on these objects. Experts on architectural history and visual studies, as well as postcard collectors provide new insights into a territory and its architectural heritage which is still largely unknown in Europe, and reflect on the postcard as a medium for historical research.
This book provides a bidirectional investigation of Asia’s spatiotemporality by asking how Asia is located and how localities are Asianized. The author examines “display-ness” as a theoretical common divisor and argues that Asia’s architectural and urban spectacle is as meaningful and significant as an indicator of Asia’s postcolonial condition.
Disasters impose enormous misery on children, the most vulnerable members of the community. Records show that two million children have died as a direct consequence of armed conflict over the past decade. Globally, millions more have suffered death, disease, and dislocation as a result of such natural disasters as earthquakes, droughts, and floods. And even when emergency relief is available, permanent human damage remains; all too often, families fall apart, women are assaulted and degraded, and children are left to take care of themselves. In November 2008, the Center for Rebuilding Sustainable Communities after Disasters at the University of Massachusetts Boston, USA, hosted an internatio...
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social ...
The 1960s and 1970s avant-garde has been likened to an ‘architectural Big Bang’, such was the intensity of energy and ambition in which it exploded into the postwar world. Marked out by architectural projects that redefined the discipline, it remains just as influential today. References to the likes of Archizoom, Peter Eisenman, John Hejduk and Superstudio abound. Highly diverse, the avant-garde cannot be defined as a single strand or tendency. It was divergent geographically – reaching from Europe to North America and Japan – and in its political, formal and cultural preoccupations. It was unified, though, as a critical and experimental force, critiquing contemporary society agains...
Can architecture directly engage with the inner experience of people? Does it have universal or spiritual content? Poetics in Architecture attempts to address these questions by looking at the essence of meaning of architecture and considering the human response to buildings. Schaik's concern is that by focusing on technical refinements and new procedural models architects are in danger of alienating the collective human connections we make with buildings. This title brings together the views of a fascinating and diverse group of architects and theoreticians from all over the world including Bolles-Wilson, Boyarsky Wilson, Winka Dubbledam, Sean Godsell, Mark Goulthorpe of dECOI and Tom Kovac.