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The Voice of the Century
  • Language: en
  • Pages: 250

The Voice of the Century

The fields of performance studies, empirical musicology, and the musicology of recordings have seen a tremendous development in recent years, shedding new light on the recent history of our performing tradition and conveying essential information to music practitioners, critics and audiences. This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figu...

The Tide Was Always High
  • Language: en
  • Pages: 316

The Tide Was Always High

"Published with the assistance of the Getty Foundation"--Title page

Latin American Cultural Objects and Episodes
  • Language: en
  • Pages: 240

Latin American Cultural Objects and Episodes

Delight in the cultural aspects of Latin America by observing the objects that give life to history Latin American Cultural Objects and Episodes provides readers with an eclectic and fascinating exploration of Latin American history through the examination of physical objects. Distinguished author and Professor William H. Beezley takes readers on a journey that includes objects used music and visual media, such as movies, documentaries, and television. Forming an integral part of the history they represent, the objects described in this book tell the tale of the little known or neglected part of Latin American history. While most historical authors and researchers focus on the political and ...

Music and Democracy
  • Language: en
  • Pages: 270

Music and Democracy

Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.

Copyright, Creativity, Big Media and Cultural Value
  • Language: en
  • Pages: 229

Copyright, Creativity, Big Media and Cultural Value

  • Categories: Law
  • Type: Book
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  • Published: 2020-11-23
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  • Publisher: Routledge

As the publishing, film and music industries are dominated by Big Media conglomerates, there is often recourse to simplistic ideological and conspiratorial readings of industry dynamics. Copyright, Creativity, Big Media and Cultural Value: Incorporating the Author explains why copyright is much more than a creator’s private property right or a mechanism through which corporations control cultural production and influence mass consumption choices. The volume is grounded in extensive, painstakingly detailed and colourful original archival research into business histories of major successful artists including Conan Doyle, Hall Caine, Margaret Atwood, Dame Nellie Melba, Radiohead and Banksy, a...

Yma Sumac
  • Language: en
  • Pages: 294

Yma Sumac

Half the range of the piano keyboard! At last a serious critical examination of the utterly unique vocalist celebrated for her "four-octave voice," Yma Sumac! A confounding, sometimes heartbreaking, mixture of absurd show-biz hype, stunning virtuosity, and sometimes ravishing artistry, Yma Sumac was a firmly established recording artist of the folk music of her native Peru when she came to America to be "discovered." And discovered she was-by the publicity department of Capitol Records and the "Exotica" pop music maestro Les Baxter. From there her story becomes ever more tangled and weird-and deeply interesting. Yma herself is an amazingly contradictory mix. Nicholas Limansky (a formally tra...

From the Clarinet D'Amour to the Contra Bass
  • Language: en
  • Pages: 486

From the Clarinet D'Amour to the Contra Bass

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to ad...

The Record Collector
  • Language: en
  • Pages: 352

The Record Collector

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

"A magazine for collectors of recorded vocal art" (varies).

Early 20th Century Opera Singers
  • Language: en
  • Pages: 298

Early 20th Century Opera Singers

Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and col...

Creating Our Own
  • Language: en
  • Pages: 264

Creating Our Own

DIVAnalyzes the key role that the production of "folkloric" music, dance, and drama has had in the formation of ethnic/racial identities, regionalism, and nationalism in Cuzco, Peru during the twentieth century./div