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In this collection of poetry, Canadian poet Lolette Kuby succeeds in pointing beyond fear, death, and inevitable change and strained relationships to the magic and mystery of life and love. What distinguishes this collection are both Kuby's fusion of small details with big subjects and her confessions of doubt interspersed with leaps of faith. This book captures the healing power of the human spirit.
These provocative essays explore the unwritten, often unacknowledged codes, conventions, and ideologies overseeing the evolution and current practice of English as a "discipline." The first section of the book offers historical perspectives: how "composition" became distinguished from "literature," how key intellectuals shaped the discipline, and how various specialties—Renaissance literature, American literature, "theory"—became subfields. The second section focuses on how certain aesthetic categories of art and universal experience persist today in the actual teaching and writing of "English." While it is fashionable to say that we are living in the age of poststructuralism, or that li...
Recent outbursts sparked by a viral video and controversial cartoons powerfully illustrate the passions and sensitivities that continue to surround the depiction of the seventh-century founder of Islam. The Lives of Muhammad delves into the many ways the Prophet’s life story has been told from the earliest days of Islam to the present, by both Muslims and non-Muslims. Emphasizing the major transformations since the nineteenth century, Kecia Ali shows that far from being mutually opposed, these various perspectives have become increasingly interdependent. Since the nineteenth century, two separate streams of writing, one hagiographic and the other polemical, have merged into a single, conte...
An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicize their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
For more than fifty years, the proximity of Donne's work to Shakespeare's, including the range of their writings, has received scant attention. Centering on cross-fertilization between the writings of Shakespeare and Donne, the essays in this volume examine relationships that are broadly cultural, theoretical, and imaginative.
This book aligns ancient and early modern European travel narratives and historical surveys of Egypt, Mesopotamia, India, and Russia with texts that contributed to English ideas about those regions: Shakespeare's Antony and Cleopatra and Love's Labour's Lost, Milton's Paradise Lost and Muscovia, and Dryden's Aureng-Zebe.
Given the extremely high cost of overseas military operations today, the author offers readers scholarly insights as to what motivates kingdoms, countries, and groups to engage in religious conflict, beginning with those found in the Hebrew Bible. To do this, he analyzes three related religions, Judaism, Christianity, and Islam, to determine their similarities and differences regarding the killing of people. The areas of conflict analysis include Fundamentalism, Proselytization, Sacrifice (to include martyrdom), and Revenge (to include genocide). The insights of preeminent religious and political scholars are integrated into this comprehensive analysis of conflict involving religion, leading to an answer to the ultimate question: Is the killing worth it?