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British Science Fiction
This chronology outlines British science fiction from 1479-1990, highlighting the important biographical and publishing events in the field of science fiction literature and fandom, as well as in other media. The chronology includes biographical information on more than 700 authors, listings of more than 2,000 works, including anthologies, criticism and essays, publishing and fandom milestones, first publications, and awards. The works are fully cross-referenced and indexed, with introductory definitions of the field and descriptive headnotes for five periods: The Descent of Scientific Romance, 1478-1894; The Wellsian Synthesis, 1895-1936; British Science Fiction, 1937-1961; New Wave S(peculative) F(iction), 1962-1978; and The British Fantastic, 1979-1990. This book is an outgrowth of and is complementary to Ruddick's critical work, Ultimate Island. Together the two works define the scope and the nature of British science fiction--an enormous field that is not, until recently, examined separately from American science fiction in spite of considerable differences.
Ultimate Island
This study confronts current influential theories that science fiction is either an American phenomenon or an international one. The study rejects the idea that British science fiction is distinguishable only by its pessimistic outlook--while also rejecting the idea that other designations, such as scientific romance or speculative fiction, better fit the British product. Instead, the study traces the evolution of British science fiction, showing how H. G. Wells synthesized various strains in English literature, and how later writers, conscious of this Wellsian tradition, built upon Wells's literary achievement. An introduction defines what might reasonably be placed under the heading Britis...
The Woman Who Did
The controversial subject matter of Grant Allen’s novel, The Woman Who Did, made it a major bestseller in 1895. It tells the story of Herminia Barton, a university-educated New Woman who, because of her belief that marriage oppresses women, refuses to marry her lover even though she shares his bed and bears his child. Her ideals come into disastrous conflict with intensely patriarchal late Victorian England. Indeed, Allen intended his novel to shock readers into a serious exploration of some of the major issues in fin de siècle sexual politics, issues that he himself, in various periodical articles under the rubric of the “Woman Question,” had played a leading role in opening up to public debate. This Broadview edition contains a critical introduction as well as a rich selection of appendices which include excerpts from Allen’s writings on women, sex, and marriage; contemporary writings on the “Sex Problem”; documents pertaining to the Marriage Debate; contemporary responses to the novel; and excerpts from two parodies of the novel.
The Time Machine
Wells was interested in the implications of evolutionary theory on the future of human beings at the biological, sociological, and cultural levels, and The Time Machine, short and readable, draws on many of the social and scientific debates of the time. The Broadview edition of this science fiction classic includes extensive materials on Wells’s scientific and political influences.
Fire in the Stone
The genre of prehistoric fiction contains a surprisingly large and diverse group of fictional works by American, British, and French writers from the late nineteenth century to the present that describe prehistoric humans. Nicholas Ruddick explains why prehistoric fiction could not come into being until after the acceptance of Charles Darwin’s theories, and argues that many early prehistoric fiction works are still worth reading even though the science upon which they are based is now outdated. Exploring the history and evolution of the genre, Ruddick shows how prehistoric fiction can offer fascinating insights into the possible origins of human nature, sexuality, racial distinctions, lang...
State of the Fantastic
This collection of twenty essays originally presented at the Eleventh International Conference on the Fantastic in the Arts contains five parts: on fantasists and their work, contemporary fantastic theory and practice, studies in the British and European fantastic, studies in American fantasy and science fiction, and sex and techno-horror in fantastic literature and film. What all the essays here have in common is that their authors are all aware of the tremendous latent power, for good and ill, of the fantastic text. We are given timely reminders of the dangers, as well as the appeal, of elves and how narrators in fantastic fictions take advantage of our desire to be part of a narrative community. We learn how some contemporary fantasists assimilate literary and scientific theory, while others seem in their fiction to require a new sociology to account for it.
Caesar's Column
A sensational best-seller envisions the destruction of New York City.
The Call of the Wild
A best-seller from its first publication in 1903, The Call of the Wild tells the story of Buck, a big mongrel dog who is shipped from his comfortable life in California to Alaska, where he must adapt to the harsh life of a sled dog during the Klondike Gold Rush. The narrative recounts Buck’s brutal obedience training, his struggle to meet the demands of human masters, and his rise to the position of lead sled dog as a result of his superior physical and mental qualities. Finally, Buck is free to respond to the “call” of the wilderness. Over a hundred years after its publication, Jack London’s “dog story” retains the enduring appeal of a classic. This Broadview Edition includes a critical introduction that explores London’s life and legacy and the complex scientific and psychological ideas drawn upon by London in writing the story. The appendices include material on the Klondike, Darwin’s writings on dogs, other contemporary writings on instinct and atavism, and maps of the regions in which the story takes place.
The Cambridge Companion to the Fin de Siècle
Publisher description
The Time Machine
Wells was interested in the implications of evolutionary theory on the future of human beings at the biological, sociological, and cultural levels, and The Time Machine, short and readable, draws on many of the social and scientific debates of the time. The Broadview edition of this science fiction classic includes extensive materials on Wells’s scientific and political influences.
