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Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
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"Why is mythology of vital importance for the romantics? What role does mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century? In this wide-ranging study, Owen Ware argues that the romantics turn to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as Schiller, Blake, Schlegel, Coleridge, Novalis, and Shelley, Ware shows why they believe that neither perception nor reason alone can sustain a vision of the unity of all things. A new mode of cognition is necessary, they claim, one that revives the poetic o...
Although more recent critics have discerned an empowered female subject in Novalis, this is the first balanced, book-length study of gender in Novalis in English. It concludes that Hardenberg's Romantic writing began to be successful in reinventing the "fiction" of female identity, and goes further to reveal his extensive interaction with women as intellectual equals."--BOOK JACKET.
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There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies.
An apparently nomadic diaspora nation of Indian provenance, the Gypsies are present with notable frequency in Germanic literatures from Wolzogen and Brentano to Stifter, Keller, Storm, Raabe, Jensen, Saar and Thomas Mann. Against the background of the still officially unacknowledged Romany Holocaust, Saul analyses in a series of close interpretations the stations of the literary construction of the Gypsy prior to the human disaster. The book's synthesis of scholarship in cultural, social and institutional history, the history of ideas and literary history will appeal to the scholarly community across traditional disciplinary boundaries, and will also serve as a valuable introduction for students from diverse fields.
Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.
This Companion focuses on the novel as a global genre and examines its role, impact and development.