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This first ethnography of the Hmong in China is based on Nicholas Tapp’s extensive fieldwork in a Hmong village in Sichuan. Basing his analysis on the concepts of context and agency, Tapp discusses the “paradoxical ambivalence at the heart of Hmong culture.” A paradox arises in the historical and ethnographic construction of the identity of the Hmong by conscious contrast with, and in opposition to, a majority Han Chinese identity at the same time that large parts of Hmong culture are shared with the Chinese and may be the results of historical processes of adoption, absorption, mimesis, or emulation. Tapp examines the Hmong rituals of shamanism, ancestral respect, and death and provides details on livelihood, kinship, local organization, and intellectual culture. The book is enhanced with thorough accounts of ceremonies, rituals, and folktales, with translations of Hmong songs and stories. This publication has also been published in paperback (no longer available).
"The Hmong are among Australia's newest immigrant populations. They came as refugees from Laos after the communist revolution of 1975 ended their life there as highland shifting cultivators. The Hmong originate from southern China where many still remain, and others live in Vietnam, Thailand and Burma. Hmong refugees are now also settled in the USA, Canada, France, Germany and French Guyana. Already the beauty and richness of traditional Hmong culture, in particular their shamanism and embroidered costume, has attracted the attention of the Australian public, but little is known about these people, their background or the struggles they have faced to adjust to a new life in Australia. This interdisciplinary collection of articles deals with their music and textiles, gender and language, their social adaptation and their global diaspora. The book aims to bring knowledge of the Hmong to a wider public and contribute to the understanding of these people."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is a work of ethnographic reflection on Hmong society, history and culture, dealing with questions of the self and the notion that a romantic self inspired the ethos of hedonism associated with the consumer economy. A Hmong identity is shown to have been historically constructed through the works of colonial missionaries, linguists, and anthropologists. Yet Hmong voices have also been powerful in this process. Based on recent fieldwork in Asia and overseas, the Hmong diaspora is examined. The modern Hmong self is presented as a prospective one, constructed in diaspora and through the use of the internet and other modes of modern communication in a movement towards a virtual future which, despite the dissonance of voices appealing to an ideal unity, is one still rich with potentiality.
To make a place is to create a location where its creators can feel they belong. Processes of place-making are still very much ongoing today. Geographers, sociologists, political scientists and philosophers of advanced capitalism have said that place is a localisation of the global. However, the creation of a place is not legible from such grand perspectives. It is also much more creative than can be predicted by translating large-scale processes into local cultures. Anthropologists have been sensitive to the intimate, tragic and lyrical senses of local place. But their theorising has been too much bound up with cosmology and insufficiently with the intermediate scales of state and local sta...
This volume traces the threads that tie together an understanding of Thailand as a dynamic and rapidly changing society, through an examination of the work of one major scholar of the country, Andrew Turton. Turton's anthropological studies of Thailand cover a wide spectrum from politics and economy to ritual and culture, and have been crucial in shaping evolving understandings of Thai society. In this collection, ten leading specialists on Thailand from a variety of disciplines critically consider aspects of Turton's work in relation to the changing nature of different aspects of Thai society. The book tracks the links between past and present scholarship, examines the contextuality of scholarship in its times, and sheds light on the current situation in Thailand.
Musical Minorities is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, the Hmong have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, one which is malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the ...
Post-Mao China has been characterized in literature and the media as a burgeoning consumer society. Consuming China investigates this characterization by examining the cultural significance of consumption and consumerism in the People’s Republic of China today. In questioning the notion of consumption, this impressive work suggests that it is not simply a symptom of economic reform within China neither a product of the emergence and transformation of contemporary Chinese capitalism. Rather, the essays offer a new perspective on Chinese consumption by focusing on more than just consumerism, looking at the practices of consumption in relation to different manifestations of social and cultural change. Drawing on case studies from Taiwan, Hong Kong and the People’s Republic of China, Consuming China affords a greater understanding of the practice of Chinese consumption and will appeal to China scholars and anthropologists, and to those with an interest in cultural and gender studies.
An incisive look at Hmong religion in the United States, where resettled refugees found creative ways to maintain their traditions, even as Christian organizations deputized by the government were granted an outsized influence on the refugees’ new lives. Every year, members of the Hmong Christian Church of God in Minneapolis gather for a cherished Thanksgiving celebration. But this Thanksgiving takes place in the spring, in remembrance of the turbulent days in May 1975 when thousands of Laotians were evacuated for resettlement in the United States. For many Hmong, passage to America was also a spiritual crossing. As they found novel approaches to living, they also embraced Christianity—c...