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King's Lynn is officially known as Lynn.
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Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.
Praise for the German edition: "A master listener, a master arguer, a master of ecumenical sensitivity, [Fries] is concerned to hand on an existential and reflected experience of the faith, and to make it comprehensible to other men and women as an answer to their questions about the meaning and direction of life . . . thus Fundamental Theology is not just a textbook, but also a book of faith." --Herder Korrespondenz Fundamental theology--with its traditional divisions of faith, revelation, and Church--studies the basic anthropological, philosophical, biblical, and historical foundations of theology. It is the place where theology's religious, intellectual, and cultural presuppositions are m...
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