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All-Purpose Vispo
Visual Poetry. . . . The hum of Letters harmonize. That demeanor of Singular design objects. An arrangement of Chance before capitulating. The letter is Form. The letters Are content. Words will not thrive Here. Composition is its Own vocabulary. Decisions over. We celebrate the Pre word . . .
MOMENTS NOTICE
Poetry. Art. Nico Vassilakis' MOMENTS NOTICE has taken a huge leap forward in the evolution of concrete poetry, by utilizing the myriad possibilities of digital typographic manipulation. The result is work of great beauty, full color, design, concept, and a visuality that makes his ideas and poetics vivid and endlessly intriguing. "Moments notice us at a moment's notice, lying in wait for us, in this space-time lingo-jaunt. When humans (hypothetically) fall into a black hole, the first thing their bodies undergo is 'spagghettification.' One could say when human language falls into Nico Vassilakis' clutches, it undergoes a similar process. But instead of annihilation, there is plenitude."—Maria Damon "Is it feasible for visual poetry to be positively erudite? In the words (or word) of one of the not-quite-texts here, MOMENTS NOTICE presents the argument for YES."—Ron Silliman
The Last Vispo Anthology
This book collects experimental “visual poetry.” With The Last Vispo Anthology, Fantagraphics spotlights the intersection of art and language in this innovative new collection ― without peer in English ― that gathers the work of visual poets from around the world into one stunning volume. The alphabet is turned on its head and inside-out and the results culminate in a compilation of daring and surprising verbo-visual gems. The Last Vispo is composed of visual poetry (a portmanteau of the words “visual” and “poetry) from the years 1998 to 2008, during a burst of creative activity fueled by file sharing and e-mail, which made it possible for the vispo community to establish a mor...
The New Concrete
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to...
An Anthology of Asemic Handwriting
An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher's hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; ...
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The Transmutation of Love and Avant-Garde Poetics
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire. In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relatio...
Paul Muldoon and the Language of Poetry
Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.
Finding Nothing
Finding Nothing explores the eruption of avant-garde writing in Vancouver that re-invented the culture of the city in the second half of the twentieth century.
Up is Up, But So is Down
The first book to capture the spontaneity of lower Manhattan's Downtown literary scene collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992.
