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Chapters 1, 3 and 5 are available Open Access under CC-BY licence. Safeguarding adults at risk of abuse or neglect is a core area of social work practice but knowledge of how social workers make adult safeguarding decisions is limited. Applying recent sociological and ethnographic research to this area for the first time, this book considers how adult safeguarding practice is developing, with a focus on risk management. The author explores how social workers conduct safeguarding adults assessments, work with multiple agencies and involve service users in risk decisions. The book is essential reading for those wishing to understand how risk and uncertainty are managed within frontline adult social work and how current practice can be improved.
In Poetic Sisters, Deborah Kennedy explores the personal and literary connections among five early eighteenth-century women poets: Anne Finch, Countess of Winchilsea; Elizabeth Singer Rowe; Frances Seymour, Countess of Hertford; Sarah Dixon; and Mary Jones. Richly illustrated and elegantly written, this book brings the eighteenth century to life, presenting a diverse range of material from serious religious poems to amusing verses on domestic life. The work of Anne Finch, author of "A Nocturnal Reverie," provides the cornerstone for this well informed study. But it was Elizabeth Rowe who achieved international fame for her popular religious writings. Both women influenced the Countess of Her...
These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.
Thomas Gainsborough is the most perennially popular of British artists, admired for the grandeur of his society portraits and his sumptuous pastoral landscapes. In his life and art he wished to project an image of effortless accomplishment, demonstrated by a dazzling painting techniques and immense personal charm. He was also competitive, opinionated and possessed of a finely tuned business brain.
** Selected as a Book of the Year in The Times, Sunday Times and Observer ** 'Compulsively readable - the pages seem to turn themselves' John Carey, Sunday Times 'Brings one of the very greatest [artists] vividly to life' Literary Review Thomas Gainsborough (1727-88) lived as if electricity shot through his sinews and crackled at his finger ends. He was a gentle and empathetic family man, but had a shockingly loose, libidinous manner and a volatility that could lead him to slash his paintings. James Hamilton reveals the artist in his many contexts: the talented Suffolk lad, transported to the heights of fashion; the rake-on-the-make in London, learning his craft in the shadow of Hogarth; the society-portrait painter in Bath and London who earned huge sums by charming the right people into his studio. With fresh insights into original sources, Gainsborough: A Portrait transforms our understanding of this fascinating man, and enlightens the century that bore him.
Patients who are facing illness and uncertainty often find themselves reflecting on the bigger questions in life, and the core beliefs or principles they live by. These convictions, religious or otherwise, are integral to a patient's identity, and consequently to their most fundamental emotional and spiritual needs. Perceptive clinicians have proved that, by recognising and working with their patients' spiritual requirements, they have been able to significantly improve their patients' experience in the medical setting. In this book, these select clinicians reveal their medical perspective on the importance of bringing together the body and soul for effective healthcare. Sharing their own personal styles of enquiry into individuals' requirements, they explain how they identify their patients' needs, and how they utilise this knowledge to advise the rest of their team and enhance their ability to provide excellent, attentive care.
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The new play by the award-winning writer of Cleo, Camping, Emanuelle and Dick, and the theatrical adapter of The Graduate A media lecturer and his female protégé find some deteriorated Hitchcock footage. It would appear they had discovered some early rushes but what film were they for and who is the mysterious blonde? Hitchcock Blonde is not a play about Alfred Hitchcock, though he may make a cameo appearance. Of the less familiar characters, one is likely to amuse, the other will behave appallingly in a theatrical film noir of genius, lust, death and voyeuristic obsession. Hitchcock Blonde is published to tie-in with the Royal Court Theatre's production in March 2003, with a cast including Alexander Delamere, Victoria Gay, Fiona Glascott and Rosamund Pike.
Individual artists.