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The Intersecting Realities and Fictions of Virginia Woolf and Colette
What might the author of Mrs. Dalloway and A Room of One's Own have in common with the author of the Claudine series and The Pure and the Impure? Resisting long-held interpretations that Colette and Virginia Woolf had little in common, Southworth shows here the links between the two famous writers, both real and imagined. Often cast in their diametrically opposed roles of elitist bluestocking and risque music hall performer, critics have overlooked the many ways in which the lives and works of Woolf and Colette intersect. This study provides a broad-ranging introduction to the biographical, stylistic, and thematic ties that link the lives and works of Britain's and France's first ladies of l...
A Companion to Virginia Woolf
A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies
The Cambridge Companion to Virginia Woolf
A revised and fully updated edition, featuring five new chapters reflecting recent scholarship on Woolf.
Harmony and the Music of the Spheres
In the ninth century, Martianus Capella's De nuptiis Philologiae et Mercurii, a late-antique encyclopedia of ancient learning on the seven Liberal Arts, was read with scrupulous vigour by the intellectual elite. Carolingian scholars produced a wealth of commentaries and glosses, which survived hidden in the margins of a remarkably large number of manuscripts. In the first part of the book, the manuscript tradition of the oldest commentary is taken under scrutiny, and the Carolingian reception of ancient knowledge on the subject of music is opened up and analyzed. Its relevance for the formation of a new, medieval music theory is evaluated. In the second part, the relevant parts of the oldest commentary are edited on the basis of eight ninth-century manuscripts.
Translation
Translation practice, its contexts, and its broader consequences, too often studied separately, are here brought into conversation.
Willa Cather at the Modernist Crux
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Introduction: Willa Cather at the Modernist Crux -- Prologue: Gifts from the Museum: Catherian Epiphanies in Context -- Part 1. Beginnings -- 1. The Compatibility of Art and Religion for Willa Cather: From the Beginning -- 2. Thea in Wonderland: Willa Cather's Revision of the Alice Novels and the Gender Codes of the Western Frontier -- 3. Ántonia and Hiawatha: Spectacles of the Nation -- Part 2. Presences -- 4. Willa Cather, Howard Pyle, and "The Precious Message of Romance"--5. "Then a Great Man in American Art": Willa Cather's Frederic Remington -- 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of To...
Defective Institutions
Defective Institutions overturns the basis of institutionalism. Faith in classic institutions—exposed as clamorously inadequate by the failure of governance under neoliberalism--does not result in greater democracy, greater horizontality, or more equitable living. Nor does trust in the standing of decisions, in the authority of antecedent cases, in the coherence, strength, continuity, or solidity of the institutions that frame and render legitimate these decisions and the rules they buttress. To the contrary: the classically-imagined institution and our faith in it lie at the heart of neoliberal unfreedom and racialized violence. Working at the point of contact and conflict between sociali...
Proust and America
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. “It is strange,” Proust wrote in 1909, “that, in the most widely different departments . . . there should be no other literature which exercises over me so powerful an influence as English and American.” In the spirit of Proust’s admission, this engaging and critical volume offers the first comparative reading of the French novelist in the context of American art, literature, and culture. In addition to examining Proust’s key American influences—Ralph Waldo Emerson, Edgar Allen Poe, and James McNeill Whistler—Proust and America investigates the previously overlooked influence of the American neurologist George Beard, whose writings on neurasthenia and “American nervousness” contributed to the essential modernity of the author’s work.
Marcel Proust in Context
This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.
The Art of Discovery
This anthology brings together scholars from literature, the natural sciences, and the philosophy of science, to present new perspectives on the relations between literary and scientific communities. Drawing on literature spanning the 19th and 20th centuries, as well as Europe and the Americas, the authors explore how science has been portrayed from the perspective of literature at different times and in different places - as challenge or opportunity, promise or scandal. The disturbance of science emanates perhaps from its association with a frightening future or its ability to change the appearance of the past; the scandal occurs as it recalls us to thresholds and hybrids: human and non-human, animal and machine. Science, however, also emerges as a source of metaphor and imaginative modelling, of encodings and decodings, representations and discoveries. Less prominent in the collection, though no less important, is the view on how scientific cultures portray literature or the literary academic, and how science reflects on itself.
