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"Evidentiary Realism aims to articulate a particular form of realism in art that portrays and reveals evidence from complex social systems. ...Evidentiary Realism focuses on artworks that prioritize formal aspects of visual language and mediums; diverging from journalism and reportage, they strive to provoke visual pleasure and emotional responses. The evidence is presented through photography, film, drawing, painting, and sculpture, with strong references to art history. In particular, these artists also theoretically articulate the aesthetic, social and documentary functions of their mediums in relation to the subject matter they investigate"--Page 1.
Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book exa...
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Like tying a Windsor knot or brewing a perfect cup of coffee, knowing how to hang art on your wall is a hallmark of everyday style and nuts-and-bolts know-how. The where, what, and whys of hanging art are an overlooked, under-appreciated line of inquiry. Most of us simply wing it with a quick eyeball and a swing of the hammer. How hard can it be? we think. What can go wrong? The answer, of course, is plenty: crumbling plaster, ruined antique laths, mismatched art hung too-close together, or a poorly-mounted photograph warping in its frame. But beyond the technical mishaps, there is a more essential lesson to be learned: The skill and consideration with which you decorate your home makes an a...
Performance art, sebagai praktik seni, persis, berada dalam bayangan medan pasca-seni. Afrizal Malna menarik kesimpulan ini melalui garis waktu dari Perang Dunia Pertama dan Kedua, dan sejumlah karya yang menandai pelumeran batas-batas seni, membawa kita kepada medan pasca-seni dalam rujukan “the end of art” Arthur Danto. Melepas seni dari lekatan rasionalitas yang menempatkan rasa atau pengalaman sensorik sebagai objek penalaran logis. Bisa jadi ini merupakan buku pertama tentang performance art di Indonesia, bersama dengan sejumlah epifenomenanya seperti performance lecture, performance digital, seni media, video performance, dan performance-performing. Buku ini merupakan kumpulan esai dari pengalaman mengikuti beberapa platform performance art, sedari tahun 2000–2022.
Now in its fourth edition, Prague Biennale relaunches itself to include the first edition of Prague Biennale Photo. From painting and photography to performance and installation art, this year's large-format edition tracks the most significant aspects of Central European art and beyond. It includes a foreword by the biennial directors, essays by curators and information about the artists included in each section.
Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide. The book examines transnational constellations in Holocaust cinema and television in Europe, disclosing instances of border-crossing and boundary-troubling at levels of production, distribution and reception. It highlights intersections between film genres, through intertextuality and pastiche, and the deployment of audiovisual Holocaust memory and testimony. Finally, the volume addresses connections between the Holo...
To what extent does locality influence contemporary art? Can any particular artistic practices be defined as uniquely Cypriot? And does art from Cyprus transcend Western boundaries once it enters the global art scene? This volume uses Cyprus as a case study for the exploration of notions of identity, regionalism, and the global and local in contemporary art practice; it is not, therefore, a complete historiography of contemporary Cypriot art. Rather, this critical text provides a theoretical and historical framework that frames and contextualizes art practices from Cyprus, while always relating these back to the international art world. Numerous current and pressing issues-all relevant beyon...
Lisi Raskin's handcrafted reconstructions of military command centers conjure the Cold War era's preoccupation with militarization. This volume documents her most recent installations which have surfaced in several locations, beginning with the Center for Curatorial Studies, Bard College. Each episode contained herein is part of an ongoing project entitled Mobile Observation.